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is cindy sherman a contemporary artist

by Mr. Joshuah Stracke Published 3 years ago Updated 2 years ago
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Cindy Sherman (American, b. 1954) is widely recognized as one of the most important and influential artists in contemporary art.

How old is Cindy Sherman’s art?

This collection, produced to correspond with the first significant show of Cindy Sherman’s art in North America in over 15 years, offers an extraordinary variety of work spanning the groundbreaking artist’s 35-year oeuvre.

Why was Cindy Sherman interested in photography?

"One reason I was interested in photography was to get away from the preciousness of the art object." Cindy Sherman is a contemporary master of socially critical photography.

Where can I find Cindy Sherman's Retrospective?

Cindy Sherman : retrospective. Cruz, Amada, 1961-, Smith, Elizabeth A. T., 1958-, Jones, Amelia., Museum of Contemporary Art (Los Angeles, Calif.), Museum of Contemporary Art (Chicago, Ill.). New York: Thames & Hudson. ISBN 050027987X. OCLC 39229520.

Who is Cynthia Sherman?

Cynthia Morris Sherman (born January 19, 1954) is an American artist whose work consists primarily of photographic self-portraits, depicting herself in many different contexts and as various imagined characters.

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What type of artist is Cindy Sherman?

Photograp...PhotographCindy Sherman/Forms

Is Cindy Sherman a postmodern artist?

Deconstructing the myths we have about ourselves and our surroundings, Sherman's work is an ideal example of postmodern art.

What was Cindy Sherman known for?

Cindy Sherman, in full Cynthia Morris Sherman, (born January 19, 1954, Glen Ridge, New Jersey, U.S.), American photographer known for her images—particularly her elaborately “disguised” self-portraits—that comment on social role-playing and sexual stereotypes.

What is Cindy Sherman's most famous piece?

Cindy Sherman is an American photographer and filmmaker whose self-portraits offer critiques of gender and identity. What made Sherman famous is the use of her own body in roles or personas in her work, with her seminal series Untitled Film Stills (1977–1980) being particularly important.

What makes a photograph post modern?

What is postmodernism? Postmodern art questions the notion of authenticity and embraces 'hybridity', blurring the lines between high art and popular culture. Postmodern photographers are particularly interested in the selective, constructed nature of the photograph.

Is Cindy Sherman a feminist?

Cindy Sherman's Enduring Legacy Despite her reticence in this respect, Sherman remains a feminist icon to many, and her critiques of art, gender, and popular culture continue to inspire new generations of artists around the world.

Who took the first picture?

Joseph Nicéphore NiépceUnauthorized use is prohibited. Centuries of advances in chemistry and optics, including the invention of the camera obscura, set the stage for the world's first photograph. In 1826, French scientist Joseph Nicéphore Niépce, took that photograph, titled View from the Window at Le Gras, at his family's country home.

Why is Cindy Sherman a feminist?

Her work usually features photographs that depict herself dressed and made up as different female characters. Sherman's photos are often interpreted as feminist art since her works raise questions regarding the objectification of women by the male gaze and the construction of the female gender.

Why did Cindy Sherman do self-portraits?

Sherman found her signature approach to photographic self-portraiture while still a student, observing, “I don't know if it was therapeutic, out of boredom, or my own fascination with thinking about make-up in the mid-seventies… I had this desire to transform myself.

How much is a Cindy Sherman photo?

Cindy Sherman's work has been offered at auction multiple times, with realized prices ranging from 63 USD to 6,773,000 USD, depending on the size and medium of the artwork. Since 1998 the record price for this artist at auction is 6,773,000 USD for Untitled Film Stills, sold at Christie's New York in 2014.

What is the aim of pop art?

By creating paintings or sculptures of mass culture objects and media stars, the Pop Art movement aimed to blur the boundaries between "high" art and "low" culture. The concept that there is no hierarchy of culture and that art may borrow from any source has been one of the most influential characteristics of Pop Art.

How did Cindy Sherman change the world?

Summary of Cindy Sherman She is a key figure of the "Pictures Generation," a loose circle of American artists who came to artistic maturity and critical recognition during the early 1980s, a period notable for the rapid and widespread proliferation of mass media imagery.

What type of photographer was Cindy Sherman?

Photograp...PhotographCindy Sherman/Forms

What kind of photography does Cindy Sherman do?

photographic self-portraitsCynthia Morris Sherman (born January 19, 1954) is an American artist whose work consists primarily of photographic self-portraits, depicting herself in many different contexts and as various imagined characters.

What photo made Cindy Sherman famous?

Cindy ShermanNationalityAmericanEducationBuffalo State CollegeKnown forPhotographic self-portraitsNotable workUntitled#96, Untitled#153, Complete Untitled Film Stills, 1977–19804 more rows

Who is Cindy Sherman?

Cindy Sherman. American, born 1954. 89 works online. For four decades, Cindy Sherman has probed the construction of identity, playing with the visual and cultural codes of art, celebrity, gender, and photography. She is among the most significant artists of the Pictures Generation—a group that also includes Richard Prince, Louise Lawler, ...

What is Cindy Sherman's most famous work?

For four decades, Cindy Sherman has probed the construction of identity, playing with the visual and cultural codes of art, celebrity, gender, and photography. She is among the most significant artists of the Pictures Generation—a group that also includes Richard Prince, Louise Lawler, Sherrie Levine, and Robert Longo —who came of age in the 1970s and responded to the mass media landscape surrounding them with both humor and criticism, appropriating images from advertising, film, television, and magazines for their art.

What did Cindy Sherman do in the 1980s?

In the 1980s, Sherman used color film and large prints, and focused more on costume, lighting and facial expression. In 1995, Sherman was the recipient of a MacArthur Fellowship. In 2013 she received an honorary doctorate degree from the Royal College of Art, London. Wikidata.

What series did Cindy Sherman play in?

While she sometimes portrays glamorous characters, Sherman has always been more interested in the grotesque. In the 1980s and 1990s, series such as the disasters (1986–89) and the sex pictures (1992) confronted viewers with the strange and ugly aspects of humanity in explicit, visceral images.

What is Sherman's untitled #216?

She often works in series, improvising on themes such as centerfolds (1981) and society portraits (2008). Untitled #216, from her history portraits (1981), exemplifies her use of theatrical effects to embody different roles ...

Who is Cindy Sherman?

Cindy Sherman. Honorary doctorate degree from the Royal College of Art, London. Cynthia Morris Sherman (born January 19, 1954) is an American artist whose work consists primarily of photographic self-portraits, depicting herself in many different contexts and as various imagined characters.

How many black and white photographs did Cindy Sherman make?

The series Untitled Film Stills (1977–1980), with which Cindy Sherman achieved international recognition, consists of 69 black-and-white photographs. The artist poses in different roles (librarians, hillbillies, and seductresses), and settings (streets, yards, pools, beaches, and interiors), producing a result reminiscent of stills typical of Italian neorealism or American film noir of the 1940s, 1950s and 1960s. She avoided putting titles on the images to preserve their ambiguity. She would often pose her heroines as alone, expressionless, and in private. An overarching characteristic of her heroines were those that did not follow conventional ideas of marriage and family. They were rebellious women who either died as that or who were later tamed by society. Modest in scale compared to Sherman's later cibachrome photographs, they are all 8 1/2 by 11 inches, each displayed in identical, simple black frames. Sherman used her own possessions as props, or sometimes borrowed, as in Untitled Film Still #11 in which the doggy pillow belongs to a friend. The shots were also largely taken in her own apartment. The Untitled Film Stills fall into several distinct groups:

What degree did Cindy Sherman receive?

In 1995, Sherman was the recipient of a MacArthur Fellowship. In 2013 she received an honorary doctorate degree from the Royal College of Art, London.

How big are the Sherman photos?

Modest in scale compared to Sherman's later cibachrome photographs, they are all 8 1/2 by 11 inches, each displayed in identical, simple black frames. Sherman used her own possessions as props, or sometimes borrowed, as in Untitled Film Still #11 in which the doggy pillow belongs to a friend.

When did Cindy Sherman start her pink robes?

In 1982, Sherman began her Pink Robes series which includes Untitled #97, #98, #99 and #100. In Fairy Tales, 1985, and Disasters, 1986–1989, Cindy Sherman uses visible prostheses and mannequins for the first time.

How many pictures did Sherman make?

Between 1989 and 1990, Sherman made 35 large, color photographs restaging the settings of various European portrait paintings of the fifteenth through early 19th centuries under the title History Portraits.

What is the role of Sherman?

To create her photographs, Sherman shoots alone in her studio, assuming multiple roles as author, director, make-up artist, hairstylist, wardrobe mistress, and model.

What college did Cindy Sherman go to?

Sherman earned a BA from Buffalo State College, State University of New York (1976). In self-reflexive photographs and films, Cindy Sherman invents myriad guises, metamorphosing from Hollywood starlet to clown to society matron.

Who is the author of Harnessing the Penchant for Play?

Harnessing the Penchant for Play. by Maureen Hergott. Art21 Educator, Maure en Hergott, shares a lesson designed to inspire students to engage their imagination and construct artworks inspired by the human form. It Began with Madame de Pompadour.

What college did Cindy Sherman attend?

This theme brings us to Cindy Sherman. Sherman became frustrated with painting while studying visual arts at Buffalo State College. Although Sherman failed her college photography class, she was encouraged to retake it, which quickly sparked her love for the medium.

What is the name of the movie that Sherman created?

In 1977, she pulled from that passion to create one of her most recognizable bodies of work, Untitled Film Stills. Sherman is a master at changing her mannerisms and appearance to accurately represent a variety of female movie stereotypes, including the housewife, the damsel in distress, and the prostitute.

Is Sherman a self portrait?

Although the vast majority of Sherman’s works are technically self-portraits, we must hesitate to identify them as such. Sherman makes it very clear, by her portrayals, and by the titling of each photograph, “untitled,” that although she is the camera’s subject, these photos are not about her at all. Each portrait represents a different woman, and although she pulls from many common stereotypes, the portraits are always sympathetic to, rather than mocking, her subjects. She understands that these stereotypes are unfair, and seeks to make even the most radical representations personable and understandable, while also challenging society’s expectations for women.

Where was Cindy Sherman born?

In 2013 she received an honorary doctorate degree from the Royal College of Art, London. Sherman was born on January 19, 1954, in Glen Ridge, New Jersey, the youngest of the five children of Dorothy and Charles Sherman. Shortly after her birth, her family moved to the township of Huntington, Long Island, where Cindy grew up as the youngest ...

Who are the artists that Sherman encountered?

It was in Buffalo that Sherman encountered the photo-based Conceptual works of artists Hannah Wilke, Eleanor Antin, and Adrian Piper. Along with artists like Laurie Simmons, Louise Lawler, and Barbara Kruger, Sherman is considered to be part of the Pictures Generation.

What is the role of Sherman?

To create her photographs, Sherman shoots alone in her studio, assuming multiple roles as author, director, make-up artist, hairstylist, wardrobe mistress, and model.

What was Sherman's goal in creating Hallwalls?

In 1974, together with Longo, Charles Clough and Nancy Dwyer, she created Hallwalls, an arts center intended as a space that would accommodate artists from diverse backgrounds. Sherman was also exposed to the contemporary art exhibited at the Albright-Knox Art Gallery, the two Buffalo campuses of the SUNY school system, Media Studies Buffalo, and the Center for Exploratory and Perceptual Arts, and Artpark, in nearby Lewiston, N.Y.

What style of film is Sherman in?

The images depict Sherman in a series of different guises—archetypal female film roles. They are shot in the style of 1950s B movies and Hollywood Film Noir cinematography. Often similar characters emerge, so that mini-series are created within the larger work.

How many different women can Sherman be?

By slipping so easily from one identity to another, Sherman shows us how tenuous the concept of identity is. If Sherman can be 69 different women, and simultaneously none of them, then there is no way for us to definitively say who she is, ...

What does Sherman's work show about the illusion of self?

Sherman consciously chooses her different identities as an overt display of the illusion of Self. She forces the viewer to confront the notion that the concepts we have of ourselves are simply constructed; that individuality is a delusional perception.

What is the most important legac for female consciousness?

the mass media’s most important legac [y] for female consciousness [is] the erosion of anything resembling a unified self.

What is Sherman's assumption of different identities?

Though often read with a feminist slant, Sherman’s assumption of different identities is consistent with postmodernism’s theories on reality and originality. Postmodern explorations of Hyper-Reality have resulted in claims that reality and illusion are indistinguishable.

Is Sherman's Untitled a source?

As stated above, Sherman’s Untitled Film Stills is a series of copies with no traceable source. Its allusion to an “original” is created by the fact that both real film stills and Sherman’s fabricated ones are based on a shared remembered fantasy of a character.

Is Sherman's untitled film stills a reproduction of an image that every viewer possesses in their mind?

Source. So, Sherman’s Untitled Film Stills is, then, a reproduction of an image that every viewer possesses in their mind. It only becomes a copy once the viewer imparts their own associations into it. While Sherman is arguably not the author of this work, neither is the viewer, as every reading is based on a single “original memory.”.

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Overview

Early life and education

Sherman was born on January 19, 1954, in Glen Ridge, New Jersey, the youngest of the five children of Dorothy and Charles Sherman. Shortly after her birth, her family moved to the township of Huntington, Long Island. Her father worked as an engineer for Grumman Aircraft. Her mother taught reading to children with learning difficulties. Sherman has described her mother as good to a fault, and her father as strict and cruel. She was raised Episcopalian.

Photography

Sherman works in series, typically photographing herself in a range of costumes. To create her photographs, Sherman shoots alone in her studio, assuming multiple roles as author, director, make-up artist, hairstylist, wardrobe mistress, and model.
Bus Riders (1976–2000) is a series of photographs that feature the artist as a variety of meticulously observed characters. The photographs were shot in 1976 for the Bus Authority for …

Music and films

In the early 1990s, Sherman worked with Minneapolis band Babes in Toyland, providing photographs for covers for the albums Fontanelle and Painkillers, creating a stage backdrop used in live concerts, and acting in the promotional video for the song "Bruise Violet." She also worked as a film director. Sherman moved from photographs to film with her movie Office Killer in 1997, starring Jeanne Tripplehorn, Molly Ringwald and Carol Kane. Dorine, played by Carol Kane, is a s…

Exhibitions

Sherman's first solo show in New York was presented at a noncommercial space The Kitchen in 1980. When the Metro Pictures Gallery opened later that year, Sherman's photographs were the first show. "Untitled Film Stills" were shown first at the non-profit gallery Artists Space where Sherman was working as a receptionist. Her first solo exhibitions in France were presented by Galeri…

Collections

Works by Sherman are held in the following collections:
• Art Institute of Chicago, Chicago, IL
• The Broad, Los Angeles, CA
• Jewish Museum (Manhattan), New York, NY

Feminism

In Sherman's Imitation of Life series of 2016 she poses, in vintage costume and theatrical makeup, as a variety of ageing actress-like women.
When writing about Sherman's "Film Stills" in the journal October, the scholar Douglas Crimp states that Sherman's work is "a hybrid of photography and performance art that reveals femininity to be an effect of representation."

Awards and other recognition

• 1981: Artist-in-residence, Light Work, Syracuse, New York
• 1995: MacArthur Fellowship. This fellowship grants $500,000 over five years, no strings attached, to important scholars in a wide range of fields, to encourage their future creative work.
• 1993: Larry Aldrich Foundation Award

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