Is Phantom of the Opera considered real opera?
There is no opera called, “The Phantom of the Opera.”. Musical “The Phantom of the Opera” was written by George Furth. In light of that, although Phantom is inspired by an opera house, contains elements of an opera, and is a musical that draws striking parallels in many ways to real opera, it remains separate.
Is there really a Phantom of the Opera?
The Phantom of the Opera musical continues to entice crowds with the music of the night at the Majestic Theatre. It's considered the most iconic piece of work from composer Andrew Lloyd Webber, with Charles Hart and Richard Stilgoe also creating the musical.
Did Phantom of the Opera ever left Broadway?
The show, which opened on Broadway in 1988 and has never closed, takes its first post-pandemic bow not just as a monied buttress for the industry, but as a symbol for Broadway’s own endurance....
What does The Phantom of the Opera talk about?
The Phantom of the Opera's origins came from Leroux's curiosity with the Phantom being real. In the prologue, he tells the reader about the Phantom and the research that he did to prove the truth of the ghost. Leroux's findings connected the corpse from the opera house to the Persian, to the Phantom, himself.
Is the Phantom dead or alive Phantom of the Opera?
However, different from the original novel, at the end of the musical the Phantom does not die: after being left by Christine, he just abandons his lair and disappears leaving his mask behind.
Is Erik Phantom of the Opera a ghost?
In the novel, Leroux sometimes calls him "the man's voice"; Erik also refers to himself as "The Opera Ghost", "The Angel of Music", and attends a masquerade as the Red Death.
Is The Phantom of the Opera Supernatural?
The strange events taking place at the Opera might seem mysterious, but they can ultimately be explained rationally as the human “Phantom” Erik's tricks. Both Christine and a mysterious opera-goer, the Persian, confirm to Raoul that the Opera Ghost is nothing but a human being named Erik.
What does the Phantom represent in Phantom of the Opera?
The Phantom, on the other hand, is not familiar. He is dark, ugly, and dangerous and therefore represents the forbidden love. However, Christine is drawn to him because she sees him as her Angel of Music, and she pities his existence of loneliness and darkness.
Why is the Phantom's face deformed?
In Universal's 1943 adaptation, he is disfigured when the publisher's assistant throws etching acid in his face.
Who is the real Phantom of the Opera?
As the first act finished, a counterweight for a chandelier plunged through the ceiling onto the audience, injuring several people and killing one person. The story inspired Gaston Leroux, a young journalist, who combined the story with rumours of a ghost wandering the opera house to create Phantom of the Opera.
Why did Christine remove the Phantom's mask?
Hardly a good reason. And he's already proven he'd hurt her in a minute- he did when she took off his mask. She did it just because she wanted to see his face, and he totally knocks her down and away with a single swipe. In the book,he warned her not to and she did out of anger.
What are Phantom's powers?
Unlike most costumed heroes, he has no superhuman powers, relying only on his wits, physical strength, skill with his weapons, and fearsome reputation to fight crime. His real name is Kit Walker.
What happens to the Phantom in the end?
In the final scene of the opera, Christine becomes aware that The Phantom has taken the place of Piangi in the role of Don Juan. As her duet finishes, she tears the mask from his face. Surrounded by police, The Phantom is nevertheless able to escape, dragging Christine with him.
Why is the Phantom so obsessed with Christine?
Erik the Phantom When he came across Christine, he decided to teach her as a way of leaving his mark. After a while, Erik fell in love with Christine. His isolation had made him obsessive over her and he tried to drag Christine down into the depths with him, unable to comprehend her own freedom.
What mental illness does The Phantom of the Opera have?
Ramin Karimloo stated he originally intended his portrayal of the character to have Aspergers' syndrome, but in Webber's sequel he seems to have changed his mind and depicted the phantom as narcissistic with antisocial traits.
Why does the Phantom wear purple?
It was not until the Phantom Sunday strip debuted in 1939 that the costume was shown to be purple, something that apparently was a printing mistake and Lee Falk himself did not approve beforehand. Lee Falk wanted the costume to be gray, but the colorist while coloring the strip decided that Phantom would look better in ...
Is Erik the villain in Phantom of the Opera?
Erik is the main antagonist in Gaston Leroux's 1911 The Phantom of the Opera.
Who is Erik Destler?
Erik (also known as The Phantom of the Opera, commonly referred to as The Phantom) is the title character fromGaston Leroux's novel Le Fantôme de l'Opéra (1910), best known to English speakers as The Phantom of the Opera.
Is Meg the Phantom's daughter?
Meg Giry is one of the fictional characters from Gaston Leroux's novel The Phantom of the Opera. In the story she is Madame Giry's only daughter.
What is the Phantom of the Opera?
The Phantom of the Opera (French: Le Fantôme de l'Opéra) is a novel by French author Gaston Leroux. It was first published as a serial in Le Gaulois from 23 September 1909 to 8 January 1910, and was released in volume form in late March 1910 by Pierre Lafitte. The novel is partly inspired by historical events at the Paris Opera during the nineteenth century, and by an apocryphal tale concerning the use of a former ballet pupil's skeleton in Carl Maria von Weber 's 1841 production of Der Freischütz. It has been successfully adapted into various stage and film adaptations, most notable of which are the 1925 film depiction featuring Lon Chaney, and Andrew Lloyd Webber 's 1986 musical .
When was the Phantom of the Opera written?
Using this accident paired with rumors of a ghost in that same opera house, Leroux wrote Le Fantôme de l'Opéra and published it in 1910, which was later published in English as The Phantom of the Opera. The details about the Palais Garnier, and rumours surrounding it, are closely linked in Leroux's writing.
Why does Leroux use the operatic setting in The Phantom of the Opera?
Leroux uses the operatic setting in The Phantom of the Opera to use music as a device for foreshadowing. Ribière makes note that Leroux was once a theatre critic and his brother was a musician, so he was knowledgeable about music and how to use it as a framing device.
When was the Phantom of the Opera first published?
It was first published as a serial in Le Gaulois from 23 September 1909 to 8 January 1910, and was released in volume form in late March 1910 by Pierre Lafitte.
What is the name of the chapter in Leroux's Phantom?
The serialized version contains an entire chapter (“L'enveloppe magique”) that does not appear in the novel version--though much of its content was added in other chapters--and was not reprinted in English until 2014.
When was the Phantom made into a silent movie?
The next adaptation into a silent film was made in 1925 by Universal Studios. This version stars Lon Chaney Sr. as the Phantom. Due to tensions on the set, there was a switch in directors and Edward Sedgwick finished the film while changing the direction the movie was going to take. His take on the novel and making it a dark romantic movie with comedy was not popular with audiences. Finally, the film was reworked one last time by Maurice Pivar and Louis Weber. They removed most of Sedgwick's contribution and returned to the original focus. This time, the movie was a success with audiences in 1925.
Is the underground lake in The Phantom true?
The underground lake that he wrote about does exist beneath the opera house, and it is still used for training firefighters to swim in the dark. The infamous chandelier crash also is true. The mysteries that Leroux uses in his novel about the Phantom are still mysteries.
Who was the concierge in Phantom of the Opera?
She was the concierge whom Richard had chosen to replace Mme Giry, the Phantom’s preferred attendant. The next day one of the headlines read: ‘Two hundred thousand kilos hit concierge!’ That was her sole obituary!
Where does the narrator leave the evidence he has found about the Phantom's deeds?
The narrator notes that he will leave the corroborating evidence he has found about the Phantom ’s deeds in the archives of the Paris Opera House. He tells readers to enter Box... (full context)
What does the Phantom tell Moncharmin and Richard?
On Saturday morning, Moncharmin and Richard receive a letter from the Phantom reminding them of his conditions. He tells them that his box must be liberated; that... (full context)
How long did Christine hear the beautiful voice?
Christine then recalls her experience with him. After hearing the beautiful Voice for three months, she asked him if he was the Angel of Music her father... (full context)
Did the Phantom of the Opera exist?
The Phantom of the Opera did exist. He was not, as was long believed, born out of the fertile imagination of the artists, the credulity of the directors, or the ludicrous fancy and overexcited brains of the young ladies of the corps de ballet, their mothers, the ushers, the cloakroom attendants and the concierge.
Is Erik the Phantom of the Opera a human?
of the Opera,” “the ghost,” “the Voice” and “the Master of the Traps,” Erik is the antagonist of the novel and a tragic, violent, and ultimately mysterious figure. Although the narrator asserts that Erik is a human being , he displays characteristics that suggest he might be more ...
Who was the actor in the Phantom of the Opera?
William Finley in the 1974 rock - musical version of The Phantom of the Opera, Brian De Palma 's Phantom of the Paradise. Robert Englund in the 1989 horror film version of The Phantom of the Opera. In this version, his full name was "Erik Destler".
What was Rains' full name in Phantom of the Opera?
Claude Rains in the 1943 Technicolor version of Phantom of the Opera. In this version, his full name was "Erique Claudin".
What movie was Winslow disfigured in?
In Universal's 1943 adaptation, he is disfigured when the publisher's assistant throws etching acid in his face. In the musical horror film Phantom of the Paradise (1974), Winslow (the Phantom character) gets his head caught in a record-press, while the horror version starring Robert Englund has him selling his soul to Satan and having his face mutilated as a result. This version also has a gruesome variation on the mask, in which Erik is sewing flesh to his face.
How many people did the Phantom kill in The Canary Trainer?
For example, when killing Madame Giry's replacement with the chandelier, he kills "almost thirty men and women in the twinkling of an eye", just to ensure that he kills his main target. He is also more psychologically disturbed, to the extent that when he tells Holmes that he has been 'taught' not to speak without his mask, he is revealed to only be capable of communicating in snarls and other animalistic sounds when Holmes knocks the mask off in their final confrontation.
What episode does the Phantomato wear a mask?
In the Wishbone episode "Pantin at the Opera", the Phantom wears a full mask.
Who is the Phantom in Canary Trainer?
In Nicholas Meyer 's 1993 novel The Canary Trainer, Sherlock Holmes develops several theories as to the Phantom's identity. His first idea is that he is an employee of the Opera; however, when the Phantom's knowledge of the Opera becomes evident, Holmes then believes that he is Charles Garnier, having faked his own death. When Garnier's corpse is identified, Holmes then theorizes that the Phantom was Edouard LaFosse, the (fictional) assistant of Garnier who designed much of the Opera's interior and who allegedly died after a building collapse. Holmes theorizes that he did not die, but was merely disfigured and therefore took to hiding in the Opera. However, when Holmes finally confronts the Phantom, he claims that he cannot speak without his mask, as his mother forced him to wear it whenever he wished to speak as a child, and he is not Edouard LaFosse. Holmes therefore admits that he is not sure how true any of the theories or claims of the Phantom's identity are. The Phantom never provides a given name in the novel; he only tells Christine that his name is "Nobody.”
Who played Raoul in Phantom of the Opera?
Michael Crawford in the original cast of the 1986 Andrew Lloyd Webber musical in London's West End, the 1988 cast on Broadway and the 1989 cast in Los Angeles. Steve Barton played the role as well as the original Raoul in London.
What happens to Christine in Phantom?
Christine falls into a trance, waking the following morning to the sound of the music box. Consumed with curiosity, Christine succeeds in uncovering The Phantom’s face. His anger dissolves into self-pity and Christine feels herself almost reciprocating his affection. The Phantom agrees to return her to the outside world. Backstage at the Opera, Buquet, the flyman, catches sight of the two re-emerging from below. Madame Giry cautions him to hold his tongue.
Who leads Raoul to the Phantom's lair?
Madame Giry agrees to lead Raoul to The Phantom’s lair. An angry mob follows. In the underground lair, Christine confronts The Phantom: his true disfigurement lies not in his face but in his soul. Raoul appears and The Phantom traps him. The Phantom offers Christine a bizarre choice: she must either stay with him forever or see Raoul killed. The mob drawing ever closer, The Phantom relents and orders them both to go. The mob descends towards the lair, but all that remains of The Phantom is a white mask.
Storyline
A home video extra to Universal's 1943 remake of "Phantom of the Opera". This documentary, directed by David J. Skal and hosted by Scott MacQueen, cover the 1925 Lon Chaney film and the 1962 Hammer iteration.
Did you know
This documentary is featured on the Universal Monster Collection DVD for Phantom of the Opera (1943), released in 2000.
Overview
Plot summary
In the 1880s, in Paris, the Palais Garnier Opera House is believed to be haunted by an entity known as the Phantom of the Opera, or simply the Opera Ghost. A stagehand named Joseph Buquet is found hanged, the noose around his neck missing.
At a gala performance for the retirement of the opera house's two managers, a young, little-known Swedish soprano, Christine Daaé, is called upon to sing in place of the Opera's leading soprano, …
History behind the novel
Leroux initially was going to be a lawyer, but after spending his inheritance gambling he became a reporter for L'Écho de Paris. At the paper, he wrote about and critiqued dramas, as well as being a courtroom reporter. With his job, he was able to travel frequently, but he returned to Paris where he became a writer. Because of his fascination with both Edgar Allan Poe and Sir Arthur Conan Doyle, he wrote a detective mystery entitled The Mystery of the Yellow Room in 1907, and four y…
Characters
• Erik: The Phantom of the Opera, a deformed conjurer also referred to as the Angel of Music and the Opera Ghost. He tutors and eventually becomes obsessed with Christine Daaé.
• Christine Daaé: A young Swedish soprano at the Paris Opera House with whom the Phantom develops a deep obsession.
Themes
Leroux uses the operatic setting in The Phantom of the Opera to use music as a device for foreshadowing. Ribière makes note that Leroux was once a theatre critic and his brother was a musician, so he was knowledgeable about music and how to use it as a framing device. She uses the example of how Leroux introduces Danse Macabre which means "dance of death" in the gala scene which foreshadows the graveyard scene that comes later where the Phantom plays the fi…
Critical reception
By the time Leroux published The Phantom of the Opera, he had already gained credibility as a crime mystery author in both French- and English-speaking countries. He had written six novels prior, two of which had garnered substantial popularity within their first year of publication called The Mystery of the Yellow Room and The Perfume of the Lady in Black. Although previous commentators have asserted that The Phantom of the Opera did not attain as much success as …
Adaptations
There have been many literary and other dramatic works based on Leroux's novel, ranging from stage musicals to films to children's books. Some well-known stage and screen adaptations of the novel are the 1925 film and the Andrew Lloyd Webber musical.
Leroux's novel was made into two silent films. The first film version, a German adaptation called Das Gespenst im Opernhaus, is now a lost film. It was made in 1916 and was directed by Ernest …
External links
• The Phantom of the Opera at Standard Ebooks
• The Phantom of the Opera at Project Gutenberg
• The Phantom of the Opera public domain audiobook at LibriVox