
When was Apollo of Veii made?
Apollo of Veii. The statue was discovered in the Portonaccio sanctuary of ancient Veii, in what is now central Italy, and dates from c. 510 - 500 BC. It was created in the so-called "international" Ionic or late-archaic Etruscan style.
What kind of statue is the Apollo of Veii?
(February 2013) ( Learn how and when to remove this template message) The Apollo of Veii is a life-size painted terracotta Etruscan statue of Apollo ( Aplu ), designed to be placed at the highest part of a temple.
What does APOEL of Veii stand for?
Apollo of Veii. This article includes a list of references, related reading or external links, but its sources remain unclear because it lacks inline citations. Another view. The Apollo of Veii is a life-size painted terracotta Etruscan statue of Apollo (Aplu), designed to be placed at the highest part of a temple.
When was the statue of the Veii made?
The statue was discovered in the Portonaccio sanctuary of ancient Veii, in what is now central Italy, and dates from c. 510 - 500 BC. It was created in the so-called "international" Ionic or late-archaic Etruscan style. It was discovered in 1916, and is now on display in the National Etruscan Museum in Rome.

What material was the Etruscan sculpture of Apollo made out of?
terracottaThe Apollo of Veii is a life-size painted terracotta Etruscan statue of Apollo (Aplu), designed to be placed at the highest part of a temple. The statue was discovered in the Portonaccio sanctuary of ancient Veii, Latium, in what is now central Italy, and dates from c. 510 - 500 BC.
Why was Apollo Veii created?
Built in honour of the god Apollo, it was associated with the Temple of the cult of Minerva. The main purpose however was to demonstrate the prosperity of the Veii area in the face of increasing Roman dominance.
What is the Temple of Minerva made out of?
terra cotta sculpturec. 510–500 B.C.E. Original temple of wood, mud brick, or tufa (volcanic rock); terra cotta sculpture.
When was the sculpture of Apollo made?
The Apollo Belvedere (also called the Belvedere Apollo, Apollo of the Belvedere, or Pythian Apollo) is a celebrated marble sculpture from Classical Antiquity. The Apollo is now thought to be an original Roman creation of Hadrianic date (c. 120–140 AD), though in a Hellenistic style.
Who created Apollo of Veii?
VulcaApollo of Veii / ArtistVulca was an Etruscan artist from the town of Veii. The only Etruscan artist mentioned by ancient writers, he worked for the last of the Roman kings, Tarquinius Superbus. Wikipedia
Where was the Apollo of Veii originally set up?
Originally placed on the ridge of temple roof, these figures seem to be Etruscan assimilations of Greek gods, set up as a tableau to enact some mythic event.
What were Greek temples made of?
The first temples were mostly mud, brick, and marble structures on stone foundations. The columns and superstructure (entablature) were wooden, door openings and antae were protected with wooden planks. The mud brick walls were often reinforced by wooden posts, in a type of half-timbered technique.
Who made the Temple of Minerva?
The temple was built in the 1st century BC by will of Gnaeus Caesius and Titus Caesius Priscus, who were two of the city's quattuorviri and also financed the construction.
Why was the Temple of Minerva built?
Write a Review! In the central square of Assisi, there is an ancient Roman temple from the first century of our era, the Temple of Minerva, which was dedicated to the goddess of wisdom and peace from the pagan age. Today, the temple houses the Church of Santa Maria sopra Minerva.
What Apollo looks like?
He was depicted as a handsome, beardless youth with long hair and attributes such as a wreath and branch of laurel, bow and quiver of arrows, raven, and lyre.
Are statues hollow?
Finally a patina is applied to the chased surface in order to achieve the desired colour. Small statues were directly sculptured in wax, so that when it is invested (covered) with clay and the wax melts, the interior is completely hollow, so the bronze statuette is solid.
What does the statue of Apollo represent?
It represents that he is the god of music. This is a bronze roman sculpture of Apollo. This representation of Apollo caters to his healing powers versus his fighting powers. The focus on this sculpture is his lyre and his laurel.
What is the purpose of the Chimera of Arezzo?
The statue was originally part of a larger sculptural group representing a fight between a Chimera and the Greek hero Bellerophon. This sculpture is likely to have been created as a votive offering to the Etruscan god Tinia....Chimera of ArezzoTypeBronzeLocationMuseo Archeologico Nazionale, Florence2 more rows
What was the function of much Etruscan art?
The art of the Etruscans falls into three categories: funerary, urban, and sacred. Because of Etruscan attitudes toward the afterlife, most of the art that remains is funerary.
What was the Temple of Minerva used for?
In the central square of Assisi, there is an ancient Roman temple from the first century of our era, the Temple of Minerva, which was dedicated to the goddess of wisdom and peace from the pagan age. Today, the temple houses the Church of Santa Maria sopra Minerva.
Who made the Chimera of Arezzo?
the EtruscansThe Chimera of Arezzo is a bronze statue sculpted by the Etruscans of northern and central Italy during the 5th-4th century BCE. The creature is the fire-breathing monster from Greek mythology which has the head of a lion, tail of a snake, and a goat's head protruding from its back.
What is the name of the statue of Apollo?
Temple of Minerva and the sculpture of Apollo (Veii) Forget what you know about Greek and Roman architectural orders—Etruscans had their own unique style. Apulu (Apollo of Veii), from the roof of the Portonaccio temple, Italy, c. 510-500 B.C.E., painted terracotta, 5′ 11″ high (Museo Nazionale Etrusco di Villa Giulia, Rome)
What made the Etruscan temples noticeably distinct from Greek ones?
In addition to their internal organization and materials, what also made Etruscan temples noticeably distinct from Greek ones was a high podium and frontal entrance . Approaching the Parthenon with its low rising stepped entrance and encircling forest of columns would have been a very different experience from approaching an Etruscan temple high off the ground with a single, defined entrance.
What is the Aplu in the temple?
The most famous and well-preserved of these is the Aplu (Apollo of Veii), a dynamic, striding masterpiece of large scale terracotta sculpture and likely a central figure in the rooftop narrative. His counterpart may have been the less well-preserved figure of Hercle (Hercules) with whom he struggled in an epic contest over the Golden Hind, an enormous deer sacred to Apollo’s twin sister Artemis. Other figures discovered with these suggest an audience watching the action. Whatever the myth may have been, it was a completely Etruscan innovation to use sculpture in this way, placed at the peak of the temple roof—creating what must have been an impressive tableau against the backdrop of the sky.
Who made the terracotta sculptures?
Since Etruscan art is almost entirely anonymous it is impossible to know who may have contributed to such innovative display strategies. We may, however, know the name of the artist associated with the workshop that produced the terracotta sculpture. Centuries after these pieces were created, the Roman writer Pliny recorded that in the late 6th century B.C.E., an Etruscan artist by the name of Vulca was summoned from Veii to Rome to decorate the most important temple there, the temple of Jupiter Optimus Maximus. The technical knowledge required to produce terracotta sculpture at such a large scale was considerable and it may just have been the master sculptor Vulca whose skill at the Portonaccio temple earned him not only a prestigious commission in Rome but a place in the history books as well.
Who was the master sculptor of terracotta?
The technical knowledge required to produce terracotta sculpture at such a large scale was considerable and it may just have been the master sculptor Vulca whose skill at the Portonaccio temple earned him not only a prestigious commission in Rome but a place in the history books as well.
What is the most interesting thing about the Portonaccio Temple?
Perhaps most interesting about the Portonaccio temple is the abundant terracotta sculpture that still remains, the volume and quality of which is without parallel in Etruria. In addition to many terracotta architectural elements (masks, antefixes, decorative details), a series of over life-size terracotta sculptures have also been discovered in association with the temple. Originally placed on the ridge of temple roof, these figures seem to be Etruscan assimilations of Greek gods, set up as a tableau to enact some mythic event.
What is the archaic smile of Apollo?
This is the god Apollo represented with that particular grin known as the archaic smile, which serve s to accentuate the expression of the face. He walks decisively to the left.
When was the statue of Apollo buried?
In May 1916 , the statue of Apollo, along with fragments of other statues, was found in a votive deposit broken into several pieces. These were carefully arranged in alignment with an embankment, as attested by an archive photo, suggesting the reverence afforded the statue by those who decided to bury it.
Who is the creator of the Portonaccio statue?
The Portonaccio statues have been attributed to the “Master of Apollo,” an artist from Veii who belonged to the last generation of clay sculptors (coroplasts) working in the circle of the famous craftsman named Vulca. Ancient sources mention the latter as the creator of the celebrated statue of Jupiter commissioned by the first Etruscan king, Tarquinius Priscus, and dedicated in the temple sacred to the Capitoline triad (ca. 580 BCE) on the Capitoline Hill in Rome.
Who commissioned the quadrigas to decorate the roof of the Capitolium?
Shortly after the creation of the Portonaccio statues, the last king of Rome, Tarquinius Superbus, commissioned two (?) quadrigas to decorate the roof of the Capitolium from the Veientine workshop of the “Master of Apollo.”
Who created the statue of Jupiter?
Ancient sources mention the latter as the creator of the celebrated statue of Jupiter commissioned by the first Etruscan king, Tarquinius Priscus, and dedicated in the temple sacred to the Capitoline triad (ca. 580 BCE) on the Capitoline Hill in Rome.
Who is Mercury in the same room as Apollo?
In addition to Apollo and Heracles, Artemis, the goddess from whom the hind had been stolen, and Mercury, represented as the peacemaker, played integral roles in the same mythological scene. The head of Mercury is on display in the same room.
What is the purpose of the Leto statue?
These and other statues – among which Leto with the infant Apollo in her arms stands out – were intended to decorate the top of the roof (columen) of the temple in the Portonaccio sanctuary at Veii. The temple was dedicated to the Etruscan goddess Menerva (the Greek Athena) and dates to the end of the 6th century BCE.

Etruscan Temples Have Largely Vanished
How Do We Know What They Looked like?
Archaeological Evidence For The Temple of Minerva
- The archaeological evidence that does remain from many Etruscan temples largely confirms Vitruvius’s description. One of the best explored and known of these is the Portonaccio Temple dedicated to the goddess Minerva (Roman=Minerva/Greek=Athena) at the city of Veii about 18 km north of Rome. The tufa-block foundations of the Portonaccio temple still remain and their nearl…
Sculpture
- Perhaps most interesting about the Portonaccio temple is the abundant terracotta sculpture that still remains, the volume and quality of which is without parallel in Etruria. In addition to many terracotta architectural elements (masks, antefixes, decorative details), a series of over life-size terracotta sculptures have also been discovered in association with the temple. Originally place…
Apollo of Veii
- The most famous and well-preserved of these is the Aplu (Apollo of Veii), a dynamic, striding masterpiece of large scale terracotta sculpture and likely a central figure in the rooftop narrative. His counterpart may have been the less well-preserved figure of Hercle (Hercules) with whom he struggled in an epic contest over the Golden Hind, an enorm...
An Artist by The Name of Vulca?
- Since Etruscan art is almost entirely anonymous it is impossible to know who may have contributed to such innovative display strategies. We may, however, know the name of the artist associated with the workshop that produced the terracotta sculpture. Centuries after these pieces were created, the Roman writer Pliny recorded that in the late 6th century B.C.E., an Etruscan arti…