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What is jazz Wynton Marsalis?
Wynton Learson Marsalis (born October 18, 1961) is an American trumpeter, composer, teacher, and artistic director of Jazz at Lincoln Center. He has promoted classical and jazz music, often to young audiences.
What style of music did the Marsalis family play?
jazzMarsalis family, American family, considered the “first family of jazz,” who (particularly brothers Wynton and Branford) had a major impact on jazz in the late 20th and early 21st centuries.
What are the two basic components of jazz according to Wynton Marsalis?
Briefly put, Marsalis and Crouch argued that there were three definitive elements that must be present in the music for it to be considered Jazz: Swing; The Blues and Improvisation.
Who invented modern jazz?
Choreographer and modern dancer Jack Cole was the first to really define jazz technique. He is considered the “Father of Jazz Technique”. Two more choreographers, Eugene Louis Faccinto, known as “Luigi” and Gus Giordano were also very influential in the development of jazz technique.
How is bebop different from swing?
Bebop is far more musically complex than its Big Band Swing forbearer. Tempos are often much faster (although the Bebop style can be played at any tempo). Bebop melodies are more intricate and difficult to play than swing melodies. Bebop musicians improvise far more complex solos than those of the Swing Era.
Who played saxophone on Fresh Prince?
Branford Marsalis (born August 26, 1960) is an American saxophonist, composer, and bandleader.
What is the basic rhythm of jazz?
3:217:55Jazz Rhythm Explained - YouTubeYouTubeStart of suggested clipEnd of suggested clipSo obviously in jazz it's generally playing with a swing rhythm and we want to use quite a bit ofMoreSo obviously in jazz it's generally playing with a swing rhythm and we want to use quite a bit of syncopation.
What did Wynton Marsalis say about how jazz was organized?
“It's about opposites coming together. The bass has to be at a certain volume, it has to be soft to make the drums play softer. The loudest instrument has to play with the softest instrument. Jazz is a music that depends on a balance and an intimacy because it is a music of conversation and dialogue.
What is true jazz music?
Jazz is characterized by swing and blue notes, complex chords, call and response vocals, polyrhythms and improvisation. Jazz has roots in European harmony and African rhythmic rituals. Jazz.
Who plays cool jazz?
cool jazz, a style of jazz that emerged in the United States during the late 1940s. The term cool derives from what journalists perceived as an understated or subdued feeling in the music of Miles Davis, the Modern Jazz Quartet, Gerry Mulligan, Lennie Tristano, and others.
Who started cool jazz?
The beginnings: In the late 1940s and early '50s, swing-era tenor sax player Lester Young began inspiring jazz musicians with his relaxed, light style of playing. While Young provided the inspiration, it was trumpeter Miles Davis who developed the style and is credited with creating the genre of cool jazz.
Is cool jazz the same as modal jazz?
a. Bebop, cool, and hard bop compositions were based on predetermined chord progressions. modal jazz tunes, however, were based on a predetermined mode, that is, a certain musical scale (a scale is particular series of seven notes).
Who is Wynton Marsalis?
Marsalis, Wynton, trumpeter, leader, composer ; b. New Orleans, Oct. 18, 1961. The most honored musician in jazz of the 1990s, Wynton (the Irish name was given in tribute to Wynton Kelly) has become a leader in the jazz field, and he wears this hat comfortably, proudly, boldly. His work is always technically astounding. He is also known for peerless performances of classical music. But his jazz trumpet style has changed dramatically over the years, as he has molded it, rather self-consciously, to reflect his changing philosophy. When he first recorded with Art Blakey in 1980 and then with Herbie Hancock, he was flashy and modern, darting in unexpected directions. Today, he pays tribute to such past masters as Louis Armstrong and Ellington’s mute specialist Cootie Williams in solos that sometimes sound like patchworks rather than coherent personal statements. Similarly his composing has gone from flexible modern jazz works such as The Bell Ringer (1982) to heavily scored Ellingtonian works with “old-time” church-oriented vocalizing, as on his Pulitzer prize-winning Blood on the Fields and his 1998 Big Train albums.
Where did Wynton Marsalis perform?
The close of the year again found Wynton performing at “ Blues Alley ” nightclub in Georgetown, where he recorded a live album and conducted workshops with the “ Blues Alley Youth Orchestra. ” Marsalis continued to show his loyalty to the club which gave him his first chance to play there in 1980 at age 20, when he was breaking upon the music scene. The performance found Wynton with his New Orleans rhythm section, bassist Reginald Veal, drummer Herlin Riley, alto saxophonist Wes Anderson, newly hired tenor saxophonist Herb Harris, and former pianist Marcus Roberts who had previously reunited with Marsalis at “ Blues Alley. ”
What is the Marsalis program?
By the fall of 1995, Marsalis hosted “ Marsalis on Music, ” a four-part music appreciation program for young listeners which aired on public televison. The program, inspired by Leonard Bernstein ’ s “ Young People ’ s Concert ’ s ” was a four-part series which tried to demystify classical and jazz music to an audience of 9-12-year-olds. Marsalis aimed to bring young people to a better understanding of these musical structures. His monologues took the same common sense approach to music which he learned from his own father. Marsalis has learned to temper his fierce devotion to music with humor. In the first part of the series, “ Why Toes Tap: Marsalis on Rhythm, ” Marsalis referred to rhythm as the most basic element of music and life. In the second part, “ Listening for Clues: Marsalis on Form, ” Wynton explained such things as the sonata form, 32-barsong, 12-bar blues and call-and-response forms. The third part of the series, “ Sousa to Satchmo: Marsalis on the Jazz Band, ” charted the emergence of brass dominated ensembles. Finally, the final portion of the series, “ Tackling the Monster: Marsalis on Practice, ” had Marsalis and cellist, Yo-Yo Ma discussing discipline, dedication, methodologies, and music fundamentals. The series was filmed in Stockbridge, Massachusetts where Marsalis was a Tanglewood fellow in the summer of 1979. Marsalis feels that an understanding of classical music provides a grounding in American culture, while traditional jazz is about the mixing of worlds, black and white. In the four-part series, Wynton ’ s Liberty Brass Band and the Tanglewood Music Center Student Orchestra joined together, with Wynton showing his adeptness on a custom weighted horn, drums, and piano, in addition to his trumpet. A companion book and CD of the series are available through W.W. Norton, and a home video version was released by Sony. Marsalis also hosted “ Making the Music, ” a 26-part jazz series on National Public Radio.
What was Wynton Marsalis' first album?
The increased attention led to an unprecedented recording contract with Columbia Records for both jazz and classical music. He released his self-titled debut album as a leader in 1981. Later that year, he formed his own jazz band with his brother Branford, Kenny Kirkland, Jeff Watts, and bassists Phil Bowler and Ray Drummond. His success didn't go unnoticed in his hometown, either. New Orleans Mayor Ernest Morial proclaimed a Wynton Marsalis Day in February of 1982.
What was the name of the opera Marsalis composed for?
In April of 1994, his biggest piece, Blood on the Fields, had its debut performance at the Lincoln Center. Marsalis composed the oratorio for three singers and a 14-piece orchestra, and it described the story of two Africans, Leona and Jesse, who found love despite the difficulties of American slavery. "I wanted to orchestrate for the larger ensemble and write for voices-something I'd never done," Marsalis said to V.R. Peterson in a People magazine interview. "I wanted to make the music combine with the words, yet make the characters seem real."
When did Marsalis win another Grammy?
He won another Grammy award in 1987 for his album Marsalis Standard Time Vol. 1. During the same year, he co-founded the Jazz at Lincoln Center program in New York City. When the program began, Marsalis became the artistic director for the eleven-month season. As part of his contract, he had to compose one piece of music for each year. Despite his new position, he continued to record and tour in both jazz and classical music.
Who was the first jazz artist to win a Pulitzer Prize for music?
In 1997, Wynton became the first jazz artist to win a Pulitzer Prize for music for his epic jazz opera, Blood on the Fields Wynton was grateful for the recognition of jazz music and feels that other jazz musicians equally deserved the Pulitzer, including Duke Ellington. An eight-time Grammy Award-winning trumpeter, Wynton feels that the value of jazz music is finally being recognized. In his recent opera, Blood on the Fields, Wynton conducts the Lincoln Center Jazz Orchestra, portraying the achievement of freedom for an enslaved man and woman. Marsalis continues with his mission to expose others to jazz as an art form, while sensing an urgency to help people remember and understand slavery, so that they might grow and learn from it. Marsalis is more than a great musician, he is a teacher and historian as well.
Who is Wynton Marsalis?
Wynton Marsalis is the managing and artistic director of Jazz at Lincoln Center and a world-renowned trumpeter and composer. Born in New Orleans, Louisiana in 1961, Marsalis began his classical training on trumpet at age 12, entered The Juilliard School at age 17, and then joined Art Blakey and the Jazz Messengers. He made his recording debut as a leader in 1982, and has since recorded more than 60 jazz and classical recordings, which have won him nine GRAMMY Awards. In 1983 he became the first and only artist to win both classical and jazz GRAMMYs in the same year and repeated this feat in 1984.
Who was the first jazz artist to win a Pulitzer Prize?
In 1997 Marsalis became the first jazz artist to be awarded the prestigious Pulitzer Prize in music for his oratorio Blood on the Fields, which was commissioned by Jazz at Lincoln Center.
When did the Lincoln Center open for jazz?
Rose Hall - the first education, performance, and broadcast facility devoted to jazz, which opened in October 2004. If playback doesn't begin shortly, try restarting your device.
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Overview
Career
In 1979, he moved to New York City to attend Juilliard. He intended to pursue a career in classical music. In 1980, he toured Europe as a member of the Art Blakey big band, becoming a member of The Jazz Messengers and remaining with Blakey until 1982. He changed his mind about his career and turned to jazz. He has said that years of playing with Blakey influenced his decision. He recor…
Early years
Marsalis was born in New Orleans, Louisiana, on October 18, 1961, and grew up in the suburb of Kenner. He is the second of six sons born to Dolores Ferdinand Marsalis and Ellis Marsalis Jr., a pianist and music teacher. He was named for jazz pianist Wynton Kelly. Branford Marsalis is his older brother and Jason Marsalis and Delfeayo Marsalis are younger. All three are jazz musicians. While sitting at a table with trumpeters Al Hirt, Miles Davis, and Clark Terry, his father jokingly sug…
Jazz at Lincoln Center
In 1987, Marsalis helped start the Classical Jazz summer concert series at Lincoln Center in New York City. The success of the series led to Jazz at Lincoln Center becoming a department at Lincoln Center, then to becoming an independent entity in 1996 alongside organizations such as the New York Philharmonic and the Metropolitan Opera. Marsalis became artistic director o…
Other work
In 1986, Marsalis guest starred in an episode of Sesame Street.
In 1995, he hosted the educational program Marsalis on Music on public television, while during the same year National Public Radio broadcast his series Making the Music. Both programs won the George Foster Peabody Award, the highest award given in journalism.
In December 2011, Marsalis was named cultural correspondent for CBS This Morning. He is a m…
Debate on jazz
Marsalis is generally associated with straight-ahead jazz, jazz that kept to the original instruments used in jazz and eschewed electronica that gained prominence in the 70s and 80s. In The Jazz Book, the authors list what Marsalis considers to be the fundamentals of jazz: blues, standards, a swing beat, tonality, harmony, craftsmanship, and mastery of the tradition beginning with New Orleans jazz up to Ornette Coleman. Jazz critic Scott Yanow regards Marsalis as talented but criti…
Personal life
Marsalis is the son of the late jazz musician Ellis Marsalis Jr. (pianist), grandson of Ellis Marsalis Sr., and brother of Branford (saxophonist), Delfeayo (trombonist and producer), and Jason (drummer). Marsalis's son, Jasper Armstrong Marsalis, is a music producer known professionally as Slauson Malone.
Marsalis was raised Catholic.
Awards and honors
In 1983, at the age of 22, he became the only musician to win Grammy Awards in jazz and classical music during the same year. At the award ceremonies the next year, he won again in both categories.
After his first album came out in 1982, Marsalis won polls in DownBeat magazine for Musician of the Year, Best Trumpeter, and Album of the Year. In …