What is Max Dupain famous for?
Max Dupain, in full Maxwell Spencer Dupain, (born April 22, 1911, Sydney, New South Wales, Australia—died July 27, 1992, Sydney), Australian photographer who developed an influential style of commercial photography that emphasized the geometric forms of his architectural and industrial subjects. Dupain,...
When was Maxwell Dupain born?
Maxwell Spencer Dupain (1911–1992), photographer, was born on 22 April 1911 at Ashfield, Sydney, only child of Sydney-born parents George Zephirin Dupain, physical culture expert, and his wife Thomasine Jane (Ena), née Farnsworth.
Who was George George Dupain?
George, a pioneer in the physical fitness movement in Australia, had founded the Dupain Institute of Physical Education, Sydney, in 1900, and wrote extensively on physical education, diet, and nutrition. As a boy Max worked out at his father’s gymnasium.
When did Georges Dupain start photography?
Early life Dupain received his first camera as a gift in 1924, spurring his interest in photography . [1] He later joined the Photographic Society of NSW, where he was taught by Justin Newlan; after completing his tertiary studies, he worked for Cecil Bostock in Sydney .
When did Max dupain start taking photos?
Max Dupain's began using Linhof Technica 4x5 camera in 1959 and it quickly became his 'go to' camera for architectural photography until the 1980s, including his well known documentary photography of the Sydney Opera House and workers during its construction from 1959-1973.
What did Max dupain do?
Max Dupain was Australia's most respected and influential black & white photographer of the 20th century. His images capture a long gone era in which Australian society was vastly different from what it is now. With his documentary eye his images exude quality and demonstrate Dupain's mastership of light and form.
What techniques did Max dupain use?
Dupain's pre-war photography experimented with other optical disintegration effects. His use of double-exposures, where two separate images disintegrate as they blend into each other, produced an effect where the form is immersed in background.
Why did Max dupain use black and white?
"Max Dupain preferred to photograph in black and white and I think that's because he really wanted to highlight and accentuate the line and the light and shade and form of his subjects.
Who inspired Max dupain?
By Robert McFarlane and reviewer Flesh and stone were the two great influences on Max Dupain's vision. From his earliest photographs he strove to transform the naked human body into something resembling the marble forms of antiquity.
Who is the man in Sunbaker?
Australian Icons: Max Dupain's 'Sunbaker'MTS345101112171819241 more row•Jul 27, 2022
Why is the Sunbaker so famous?
It depicts the head and shoulders of a man lying on a beach in New South Wales, taken from a low angle. The iconic photograph has been described as "quintessentially Australian", a "sort of icon of the Australian way of life", and "arguably the most widely recognised of all Australian photographs."
Where was Max dupain born?
Sydney, AustraliaMax Dupain / Place of birth
How did Max dupain get into photography?
Dupain, who exhibited his first landscape photographs while attending grammar school, studied at the East Sydney Technical College and the Julian Ashton Art School (both 1933–35), while he apprenticed from 1930 to 1934 with commercial photographer Cecil Bostock.
What is contrast in photography?
Contrast means difference. In photography, the most common differences are achieved by changes in the tones or colors that compose the image. Contrast has been a key element from the beginning of photography. It is the degree of difference between the elements that form an image.
Why is the Sunbaker so famous?
It depicts the head and shoulders of a man lying on a beach in New South Wales, taken from a low angle. The iconic photograph has been described as "quintessentially Australian", a "sort of icon of the Australian way of life", and "arguably the most widely recognised of all Australian photographs."
Where was the Sunbaker taken?
The model for Sunbaker was Harold Salvage, a British builder. Dupain took several photographs of Salvage, who was among a group of friends accompanying him on a surfing trip to Culburra Beach near the Shoalhaven River, NSW, in 1937.
Where was Max dupain born?
Sydney, AustraliaMax Dupain / Place of birth
What is contrast in photography?
Contrast means difference. In photography, the most common differences are achieved by changes in the tones or colors that compose the image. Contrast has been a key element from the beginning of photography. It is the degree of difference between the elements that form an image.
Who is Max Dupain?
Max Dupain, Australian photographer who developed an influential style of commercial photography that emphasized the geometric forms of his architectural and industrial subjects. Dupain, who exhibited his first landscape photographs while attending grammar school, studied at the East Sydney
What did Dupain do in his career?
Dupain, who exhibited his first landscape photographs while attending grammar school, studied at the East Sydney Technical College and the Julian Ashton Art School (both 1933–35), while he apprenticed from 1930 to 1934 with commercial photographer Cecil Bostock. During World War IIhe left his fashion- and portrait-photography studio to work for the army camouflage unit; he then worked for the Australian Department of Information (1945–47). Upon his return to studio work, he de-emphasized picturesque landscapes and portraiture in favour of the more abstract architectural and industrial imagery that established him as one of Australia’smost significant Modernistphotographers. His work was featured in numerous exhibitions and retrospectives, notably an exhibit at the Photographer’s Gallery in London that celebrated his 80th birthday. He was made an Officer of the Order of the British Empirein 1982.
Who is Max Dupain?
Maxwell Spencer Dupain (1911–1992), photographer , was born on 22 April 1911 at Ashfield, Sydney, only child of Sydney-born parents George Zephirin Dupain, physical culture expert, and his wife Thomasine Jane (Ena), née Farnsworth. George, a pioneer in the physical fitness movement in Australia, had founded the Dupain Institute of Physical Education, Sydney, in 1900, and wrote extensively on physical education, diet, and nutrition. As a boy Max worked out at his father’s gymnasium. He later attributed his Romantic nature to the combination of his father’s French and his mother’s Irish ancestry. The family lived on Parramatta Road, close to other members of the Dupain and Farnsworth families. Max accompanied his mother to Church of England services at St John’s Church, Ashfield, but as an adult was not religious, attributing his views to his father’s scientific rationalism.
When did Max Dupain start his business?
He had formed Max Dupain & Associates in 1971, initially located at Artarmon, where colleagues included Jill White and Eric Sierins, and continued working until 1991. Described by his second wife as a ‘complex character’ (Dupain 1993, 458), Dupain was not a social person and was intense, single-minded, and disciplined.
What is Max Dupain's most famous photograph?
During the 1970s Dupain emerged as a key figure in the Australian art photography movement following his retrospective exhibition at the Australian Centre for Photography, Sydney, which introduced his now best-known photograph, Sunbaker, to the public. This image encapsulated his interest in body culture and embrace of the outdoors: it came to be identified with a characteristically Australian way of life. Numerous shows and publications followed, along with representation in all major public collections in Australia, including the National Gallery of Australia. He had formed Max Dupain & Associates in 1971, initially located at Artarmon, where colleagues included Jill White and Eric Sierins, and continued working until 1991.
Where did Dupain go to school?
Educated at Ashfield Preparatory and Sydney Grammar schools, Dupain did not thrive academically, and did not complete the Leaving certificate. He enjoyed athletics, rowing, and the arts. In 1924 his uncle Clarence Farnsworth, an amateur photographer, gave him his first camera.
What was Dupain's style?
By the late 1930s Dupain was recognised as a leading modernist photographer whose work responded to the realities of contemporary life. He experimented with different techniques, including photomontage and solarisation, and developed a style characterised by a dramatic use of light.
When did Dupain and Max Cotton get married?
Dupain had met her in 1924 through his father’s business partnership with her uncle Max Cotton; the couple married on 29 April 1939 in a Methodist service at her home; they separated in August 1941, and divorced in February 1944. The patronage of the publisher Sydney Ure Smith was crucial in establishing Dupain’s career.
Where did Dupain work?
From 1942 to 1945 Dupain was employed in a civilian capacity as a camoufleur with the Royal Australian Air Force in Darwin, New Guinea, and Goodenough Island, off the north-east coast of Papua, taking photographs that revealed the effectiveness of different kinds of camouflage. Olive Cotton ran the studio in his absence.
When did Max Dupain start his photography career?
Dupain received his first camera as a gift in 1924, spurring his interest in photography. He later joined the Photographic Society of NSW, where he was taught by Justin Newlan; after completing his tertiary studies, he worked for Cecil Bostock in Sydney. By 1934 Max Dupain had struck out on his own and opened a studio in Bond Street, Sydney.
Where did Max Dupain photograph Harold Salvage?
In 1937, while on the south coast of New South Wales, he photographed the head and shoulders of a friend, Harold Salvage, lying on the sand at Culburra Beach. The image, entitled Sunbaker, subsequently became Dupain’s most famous piece.
What was Dupain's first wife's name?
Dupain’s studio had been kept going during his absence by his first wife Olive Cotton (q.v.), from whom he had separated in 1941. Dupain ceased working in fashion and advertising, which seemed superficial subjects after the war years. His documentary work of this period is exemplified by “Meat Queue” (plate 94).
Who was Dupain's patron?
Dupain, like Cazneaux, found a patron in the publisher Sydney Ure Smith who regularly used his commercial and personal photographs in The Home magazine and presented a portfolio of work in the Art in Australia journal in 1935.
What was the role of Dupain in the war?
Between 1943 and 1944 Dupain was on war service as a photographer in the camouflage unit and spent time in New Guinea, before transferring to the Department of Information in 1945 to undertake an assignment to photograph Australia for promotional purposes. Dupain was influenced by the documentary movement in film, which had a considerable impact on still photographers in the late 1940s.
What did Dupain do in the 1950s?
During the 1950s, Dupain developed his approach to photographing industrial and architectural form. As well he continued to work in portraiture and landscape both professionally and personally. In 1954 he was part of the “Six Photographers” group which asserted the value of direct treatment of the world with a personal interpretation in the face of the prevalence of slick advertising and fashion photography of the time.
When did Dupain start photographing?
Dupain joined the Photographic Society of New South Wales in 1928 and began exhibiting around 1930. His early work was in the pictorial style but in 1933 Dupain began to photograph industrial forms such as silos in a way totally alien to the pictorialists.
When did Dupain start his retrospective?
Dupain has held several retrospective exhibitions since 1975 when his first major one-man show was held at the Australian Centre for Photography. A monograph on his work is to be published in 1980 and he was made an Affiliate of the Royal Australian Institute of Architects for his contribution to architectural photography the same year.
What did Dupain reject?
Like many of his generation, Dupain rejected the romantic preoccupation with picturesque subjects and turned to developing a style in tune with contemporary life in the machine age.
