Where did Cindy Sherman exhibit her work?
That same year a major retrospective of her work was exhibited at the Museum of Contemporary Art in Chicago and at the Museum of Contemporary Art in Los Angeles. A 2012 retrospective at the Museum of Modern Art (MoMA) in New York City was accompanied by a film series comprising movies that Sherman saw as having influenced her work.
Where did Cindy Sherman live in New York?
Sherman was born in Glen Ridge; when she was 3, her family moved to Huntington Beach on Long Island." ^ Sherman, Cindy; Schor, Gabriele (2012). Cindy Sherman: The Early Works 1975-1977 : Catalogue Raisonné.
Does Cindy Sherman do non-photographic art?
^ Sarah Cascone (December 5, 2019), Cindy Sherman Has Unveiled Her First Non-Photographic Works at Art Basel Miami Beach: Tapestries Based on Her Instagram Art Net News; accessed June 11, 2021. ^ Liam Freeman (March 25, 2021), Cindy Sherman on Her First Ever Non-Photographic Works Vogue; accessed June 11, 2021. ^ "Cindy Sherman: Street-Style Star".
How old is Cindy Sherman now?
Cindy Sherman was born in Glen Ridge, a suburb of New Jersey, on the 19th of January, 1954. Cindy’s family relocated to Huntington, Long Island, soon after she was born, where she was brought up as the last child of five siblings.
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What kind of work does Cindy Sherman do?
Cynthia Morris Sherman (born January 19, 1954) is an American artist whose work consists primarily of photographic self-portraits, depicting herself in many different contexts and as various imagined characters.
How does Cindy Sherman describe her work?
Recalling a long tradition of self-portraiture and theatrical role-playing in art, Sherman utilizes the camera and the various tools of the everyday cinema, such as makeup, costumes, and stage scenery, to recreate common illusions, or iconic "snapshots," that signify various concepts of public celebrity, self- ...
Does Cindy Sherman do her own makeup?
With the help of wigs and makeup, props and prosthetics, Sherman transforms herself into aging socialites, B-movie actresses and American schoolgirls. It's these personas that her camera captures. Cindy Sherman has worked as her own model - as well makeup artist, hairdresser, stylist and lighting expert - for 35 years.
How much does a Cindy Sherman photograph cost?
Cindy Sherman's work has been offered at auction multiple times, with realized prices ranging from 63 USD to 6,773,000 USD, depending on the size and medium of the artwork. Since 1998 the record price for this artist at auction is 6,773,000 USD for Untitled Film Stills, sold at Christie's New York in 2014.
When did Cindy Sherman start working?
1977Sherman grew up on Long Island, New York. In 1972 she enrolled at the State University of New York (SUNY) at Buffalo and majored in painting, later switching her major to photography. She graduated from SUNY in 1976 and in 1977 began work on Untitled Film Stills (1977–80), one of her best-known series.
How old is Cindy Sherman?
68 years (January 19, 1954)Cindy Sherman / Age
What camera did Cindy Sherman use?
“At around 14 or 15, I bought a used Mamiya 35mm camera,” remembers the portraitist. “When I was in my early 20s, I bought a used Hasselblad 500 C/M and that was my preferred camera for years. I've gone through a few Hasselblad bodies and many film magazines since then — I still love that camera.
Is Cindy Sherman a feminist?
Cindy Sherman's Enduring Legacy Despite her reticence in this respect, Sherman remains a feminist icon to many, and her critiques of art, gender, and popular culture continue to inspire new generations of artists around the world.
Why is Cindy Sherman important?
Cindy Sherman is one of the best-known and most important artists working today. Her decades-long performative practice of photographing herself under different guises has produced many of contemporary art's most iconic and influential images.
Which of the following best describes the focus of performance art?
Performance Art can be described as movements, gestures and sounds of persons communicating. Which of the following describes the focus of Performance Art? It replaces physical objects.
What inspired Cindy Sherman?
Influenced by a previous generation of performance artists, Sherman developed a fascination for disguise – a fascination that had been with her since childhood, now in encounter with her own camera.
Why is Cindy Sherman a feminist?
Her work usually features photographs that depict herself dressed and made up as different female characters. Sherman's photos are often interpreted as feminist art since her works raise questions regarding the objectification of women by the male gaze and the construction of the female gender.
How is Cindy Sherman postmodernism?
Cindy Sherman's Untitled Film Stills fits neatly, in many ways, into the criteria set out by postmodernism. The series grapples with the idea of the constructed self, and the illusion of identity. It also raises questions about the state of reality.
Who is Cindy Sherman?
Cindy Sherman. Honorary doctorate degree from the Royal College of Art, London. Cynthia Morris Sherman (born January 19, 1954) is an American artist whose work consists primarily of photographic self-portraits, depicting herself in many different contexts and as various imagined characters.
What degree did Cindy Sherman receive?
In 1995, Sherman was the recipient of a MacArthur Fellowship. In 2013 she received an honorary doctorate degree from the Royal College of Art, London.
How many black and white photographs did Cindy Sherman make?
The series Untitled Film Stills (1977–1980), with which Cindy Sherman achieved international recognition, consists of 69 black-and-white photographs. The artist poses in different roles (librarians, hillbillies, and seductresses), and settings (streets, yards, pools, beaches, and interiors), producing a result reminiscent of stills typical of Italian neorealism or American film noir of the 1940s, 1950s and 1960s. She avoided putting titles on the images to preserve their ambiguity. She would often pose her heroines as alone, expressionless, and in private. An overarching characteristic of her heroines were those that did not follow conventional ideas of marriage and family. They were rebellious women who either died as that or who were later tamed by society. Modest in scale compared to Sherman's later cibachrome photographs, they are all 8 1/2 by 11 inches, each displayed in identical, simple black frames. Sherman used her own possessions as props, or sometimes borrowed, as in Untitled Film Still #11 in which the doggy pillow belongs to a friend. The shots were also largely taken in her own apartment. The Untitled Film Stills fall into several distinct groups:
How big are the Sherman photos?
Modest in scale compared to Sherman's later cibachrome photographs, they are all 8 1/2 by 11 inches, each displayed in identical, simple black frames. Sherman used her own possessions as props, or sometimes borrowed, as in Untitled Film Still #11 in which the doggy pillow belongs to a friend.
When did Cindy Sherman start her pink robes?
In 1982, Sherman began her Pink Robes series which includes Untitled #97, #98, #99 and #100. In Fairy Tales, 1985, and Disasters, 1986–1989, Cindy Sherman uses visible prostheses and mannequins for the first time.
How many pictures did Sherman make?
Between 1989 and 1990, Sherman made 35 large, color photographs restaging the settings of various European portrait paintings of the fifteenth through early 19th centuries under the title History Portraits.
What is the role of Sherman?
To create her photographs, Sherman shoots alone in her studio, assuming multiple roles as author, director, make-up artist, hairstylist, wardrobe mistress, and model.
What is Cindy Sherman's art style?
Cindy Sherman is a contemporary master of socially critical photography. She is a key figure of the " Pictures Generation ," a loose circle of American artists who came to artistic maturity and critical recognition during the early 1980s, a period notable for the rapid and widespread proliferation of mass media imagery. At first painting in a super-realist style in art school during the aftermath of American Feminism, Sherman turned to photography toward the end of the 1970s in order to explore a wide range of common female social roles, or personas. Sherman sought to call into question the seductive and often oppressive influence of mass-media over our individual and collective identities. Turning the camera on herself in a game of extended role-playing of fantasy Hollywood, fashion, mass advertising, and "girl-next-door" roles and poses, Sherman ultimately called her audience's attention to the powerful machinery and make-up that lay behind the countless images circulating in an incessantly public, "plugged in" culture. Sexual desire and domination, the fashioning of self-identity as mass deception, these are among the unsettling subjects lying behind Sherman's extensive series of self-portraiture in various guises. Sherman's work is central in the era of intense consumerism and image proliferation at the close of the 20th century.
Why did Sherman turn to photography?
At first painting in a super-realist style in art school during the aftermath of American Feminism, Sherman turned to photography toward the end of the 1970s in order to explore a wide range of common female social roles, or personas.
What does Sherman's "freezing" of the image mean?
By freezing the image into a kind of sorry, secular icon, Sherman demonstrates how art may act as a visual "truth serum," a force of social change by way of its ability to stop a viewer in his/her tracks and suggest how certain assumptions are culturally inherited, not necessarily "natural.".
What is Sherman's photographic portraiture?
Sherman's photographic portraiture is both intensely grounded in the present while it extends long traditions in art that force the audience to reconsider common stereotypes and cultural assumptions , among the latter political satire, caricature, the graphic novel, pulp fiction, stand-up comedy (some of her characters are indeed uncomfortably "funny"), and other socially critical disciplines.
What is the subject of Sherman's self portraits?
Sexual desire and domination, the fashioning of self-identity as mass deception, these are among the unsettling subjects lying behind Sherman's extensive series of self-portraiture in various guises. Sherman's work is central in the era of intense consumerism and image proliferation at the close of the 20th century.
What is Sherman's unique form of portrait photography?
In this sense, Sherman's unique form of portrait photography functions, in part, as a sign for the subjective nature of all human intelligence and the unstable nature of visual perception.
Is Sherman's approach to female stereotypes ironic?
Others, understand Sherman's approach as critically-ironic parody of female stereotypes. Others still, assert that both cases are simultaneously true, with Sherman knowingly taking on stereotypical female roles in order to question their pervasiveness.
Where was Cindy Sherman born?
In 2013 she received an honorary doctorate degree from the Royal College of Art, London. Sherman was born on January 19, 1954, in Glen Ridge, New Jersey, the youngest of the five children of Dorothy and Charles Sherman. Shortly after her birth, her family moved to the township of Huntington, Long Island, where Cindy grew up as the youngest ...
What is the role of Sherman?
To create her photographs, Sherman shoots alone in her studio, assuming multiple roles as author, director, make-up artist, hairstylist, wardrobe mistress, and model.
Who are the artists that Sherman encountered?
It was in Buffalo that Sherman encountered the photo-based Conceptual works of artists Hannah Wilke, Eleanor Antin, and Adrian Piper. Along with artists like Laurie Simmons, Louise Lawler, and Barbara Kruger, Sherman is considered to be part of the Pictures Generation.
What was Sherman's goal in creating Hallwalls?
In 1974, together with Longo, Charles Clough and Nancy Dwyer, she created Hallwalls, an arts center intended as a space that would accommodate artists from diverse backgrounds. Sherman was also exposed to the contemporary art exhibited at the Albright-Knox Art Gallery, the two Buffalo campuses of the SUNY school system, Media Studies Buffalo, and the Center for Exploratory and Perceptual Arts, and Artpark, in nearby Lewiston, N.Y.
What is Cindy Sherman's work?
The American artist Cindy Sherman was born in 1954. Her work usually features photographs that depict herself dressed and made up as different female characters. Sherman’s photos are often interpreted as feminist art since her works raise questions regarding the objectification of women by the male gaze and the construction of the female gender. To better understand how Cindy Sherman’s photographs challenge the representation of women, it is important to know about the thoughts of feminist theorists such as Laura Mulvey and Judith Butler.
How does Cindy Sherman's artwork demonstrate gender?
Cindy Sherman’s artworks seem to demonstrate this performance of gender by depicting stereotypical images of women that can also be seen in movies. The pictures illustrate the performative act of “being female” through Sherman’s changing use of wigs, make-up, and clothing.
What is the male gaze in Cindy Sherman?
Those changes expose this gaze that wants to stay hidden during the act of observing and objectifying the female body .
What is Cindy Sherman's untitled film stills?
The black-and-white photographs of Cindy Sherman’s series Untitled Film Stills are reminiscent of movies from the 1930s to the 1950s and depict Sherman as she portrays women in different roles with the help of costumes, make-up, and wigs. They can be interpreted as challenging the male gaze mentioned by Mulvey and therefore as feminist art.
What is the photograph of Sherman still #6?
The photograph Untitled Film Still #6 shows a woman in her underwear posing erotically in her bed.
What does Cindy Sherman's breast represent?
The depiction of Mary holding Jesus as a child exemplifies many values that are congruent with an artificially constructed and idealized image of femininity that stands for virginity, motherhood, and calm, subordinate behavior.
How does Sherman's art relate to gender?
By performing the different ways of how women are supposed to look to be considered typically female, Sherman’s feminist art exposes the artificially and culturally constructed idea of gender. The altering costumes, hair, and poses produce a multitude of individuals even though Sherman is the only person who is visible in her works. The hair color, attire, make-up, environment, expression, and posing changes in every picture to match a particular stereotype of womanhood.
What year was Cindy Sherman's film still #54?
Untitled Film Still #54 by Cindy Sherman, 1980. (Credit: Courtesy of the artist and Metro Pictures, New York) “It’s almost strategic,” says Paul Moorhouse, curator of the major Cindy Sherman retrospective currently showing at the National Portrait Gallery in London. “Her work invites interpretation and she says it’s important that it does so.
What is the name of the woman who photographed Dianne Benson's clothes?
Sherman seems to be making it easier for us with her caustic fashion photography, even offering a rare description of her intentions. “I’m disgusted with how people get themselves to look beautiful… I was trying to make fun of fashion,” she said. This is abundantly clear in the promotional images she created for the New York boutique owner Dianne Benson in 1983. Sporting a red curly wig and Jean-Paul Gaultier strapless jumpsuit with cone bra whose pointed tips have been pushed in, Sherman’s character exudes a gawky self-consciousness far removed from the glamorous allure of conventional fashion imagery.
Is Sherman's Society Portraits acerbic?
At first glance, Sherman’s Society Portraits (2008) could appear equally acerbic. The ageing women portrayed have clearly lost the allure of youth and seem to be forlornly attempting to offset this with unconvincing cosmetic procedures and a showy display of wealth. Particularly for a younger audience, yet to be marked by their first wrinkle, they are easy to mock. But older viewers may detect a sense of pathos. They are, after all, victims of a youth-obsessed culture we have all helped to create. Sherman herself has said she finds it “especially scary when I see myself in these older women”.
Is Cindy Sherman a feminist?
She’s also said that she’s a feminist but not a feminist artist.”. Cover Girl (Vogue) by Cindy Sherman, 1976 / 2011. (Credit: Courtesy of the artist and Metro Pictures, New York) Sherman seems to be making it easier for us with her caustic fashion photography, even offering a rare description of her intentions.
Overview
Photography
Sherman works in series, typically photographing herself in a range of costumes. To create her photographs, Sherman shoots alone in her studio, assuming multiple roles as author, director, make-up artist, hairstylist, wardrobe mistress, and model.
Bus Riders (1976–2000) is a series of photographs that feature the artist as a variety of meticulously observed characters. The photographs were shot in 1976 for the Bus Authority for …
Early life and education
Sherman was born on January 19, 1954, in Glen Ridge, New Jersey, the youngest of the five children of Dorothy and Charles Sherman. Shortly after her birth, her family moved to the township of Huntington, Long Island. Her father worked as an engineer for Grumman Aircraft. Her mother taught reading to children with learning difficulties. Sherman has described her mother as good to a fault, and her father as strict and cruel. She was raised Episcopalian.
Music and films
In the early 1990s, Sherman worked with Minneapolis band Babes in Toyland, providing photographs for covers for the albums Fontanelle and Painkillers, creating a stage backdrop used in live concerts, and acting in the promotional video for the song "Bruise Violet." She also worked as a film director. Sherman moved from photographs to film with her movie Office Killer in 1997, starring Jeanne Tripplehorn, Molly Ringwald and Carol Kane. Dorine, played by Carol Kane, is a s…
Exhibitions
Sherman's first solo show in New York was presented at a noncommercial space The Kitchen in 1980. When the Metro Pictures Gallery opened later that year, Sherman's photographs were the first show. "Untitled Film Stills" were shown first at the non-profit gallery Artists Space where Sherman was working as a receptionist. Her first solo exhibitions in France were presented by Galeri…
Collections
Works by Sherman are held in the following collections:
• Art Institute of Chicago, Chicago, IL
• The Broad, Los Angeles, CA
• Jewish Museum (Manhattan), New York, NY
Feminism
In Sherman's Imitation of Life series of 2016 she poses, in vintage costume and theatrical makeup, as a variety of ageing actress-like women.
When writing about Sherman's "Film Stills" in the journal October, the scholar Douglas Crimp states that Sherman's work is "a hybrid of photography and performance art that reveals femininity to be an effect of representation."
Awards and other recognition
• 1981: Artist-in-residence, Light Work, Syracuse, New York
• 1995: MacArthur Fellowship. This fellowship grants $500,000 over five years, no strings attached, to important scholars in a wide range of fields, to encourage their future creative work.
• 1993: Larry Aldrich Foundation Award
The Life and Art of Cindy Sherman
Noteworthy Examples of Cindy Sherman’s Photography
- Cindy Sherman’s self-portraits are both profoundly present and extend long traditions in photography that compel the viewers to reevaluate stereotypical portrayals and presumptions, including ideological satire, caricatures, and other culturally vital disciplines. Sherman’s numerous variants of self-portraiture techniques share one significant feature: in the overwhelming bulk of …
Recommended Reading
- When it comes to learning about an artist, owning your own book is the best way to do so! You can take your time to discover the artist in your own home, whenever you like. Here are a few books we can recommend if you would like to learn more about Cindy Sherman’s self-portraits and lifetime.
Frequently Asked Questions
- What Was the Purpose of Cindy Sherman’s Photography?
Cindy Sherman’s photography aims to depict the multiple roles and personas of herself and other contemporary women. Sherman began painting in a super-realist manner at art school in the aftermath of American feminism, but by the end of the 1970s, she had switched to photography. … - What Is Cindy Sherman’s Work Most Famous For?
The American photographer has been recognized for her photos that remark on societal roles and sexual stereotypes, notably her meticulously disguised self-portraits. Cindy Sherman’s self-portraits challenge gender and individuality. Sherman’s utilization of her own physique in roles o…