Who are the top 10 Depression era photographers?
Meet 10 Depression-Era Photographers Who Captured the Struggle of Rural America 1 Arthur Rothstein 2 Theodor Jung 3 Ben Shahn 4 Walker Evans 5 Dorothea Lange 6 Carl Mydans 7 Russell Lee 8 Marion Post Wolcott 9 Jack Delano 10 John Vachon
Who were the FSA photographers of the 1930s?
From Dorothea Lange to Walker Evans, the FSA photographers of the 1930s shaped a vision of the world transformed by economic crisis.
Why did the Farm Security Administration send out 10 Photographers?
In the 1930s, under the auspices of what would become the Farm Security Administration, 10 photographers from different backgrounds–all white–were sent out to accomplish the task of documenting America in a time of great poverty. Some of the photographs from this project have become emblematic of this period.
Where did Edith Lange shoot her FSA photography?
Much of her FSA photography was shot in California. Her “ Migrant Mother ” photographs shot in Nipomo, California, are perhaps the best-known photographs of the Great Depression. When Lange filed her images she would include direct quotes from the people she was photographing as well as her own observations.
What 20th century artist was greatly influenced by the art of African masks?
Picasso collected and drew inspiration from African art during this period, but also for many years after it.
What leading American composer and bandleader gained his fame at the Cotton Club in the 1920s?
Weekly radio broadcasts spread the fame of the club and its musicians to a national audience. Among the many seminal figures of jazz and blues who performed at the Cotton Club, bandleader Duke Ellington was perhaps the most closely associated with the venue.
What was the title of Chinua Achebe's first book published in 1948?
Things Fall ApartFirst editionAuthorChinua AchebeCountryNigeriaLanguageEnglishPublisherWilliam Heinemann Ltd.1 more row
Which African kingdom was first settled in the Stone Age?
Definition. The African kingdom of Axum (also Aksum) was located on the northern edge of the highland zone of the Red Sea coast, just above the horn of Africa. It was founded in the 1st century CE, flourished from the 3rd to 6th century CE, and then survived as a much smaller political entity into the 8th century CE.
What was the Cotton Club famous for?
The Cotton Club was Harlem's premier nightclub in the 1920s and 1930s. The club featured many of the greatest African American entertainers of the era, including Count Basie, Ella Fitzgerald, Fats Waller, Louis Armstrong, Dizzy Gillespie, Nat King Cole, Billie Holiday, and Ethel Waters.
What was the Cotton Club quizlet?
Terms in this set (6) Opened in 1923, the renowned club was located in the heart of Harlem, New York, and that, for years, featured famous black entertainers who performed for white-only audiences. It was run by the infamous white gangster Owney Madden.
Which novel did Achebe win the National Trophy of literature award?
In 1959, he won the Margaret Wong Memorial Prize for Things Fall Apart. The following year, after the publication of its sequel, No Longer At Ease, he was awarded the Nigerian National Trophy for Literature.
Who is the father of literature in Nigeria?
Chinua AchebeChinua Achebe, the Nigerian novelist seen by millions as the father of African literature, has died at the age of 82.
Which of these writers helped create the literary movement known as negritude?
Glissant was a disciple and fellow countryman of the poet Aimé Césaire, who founded the Negritude movement to promote an African culture free of all colonial influences.
Who ruled Africa?
The principal powers involved in the modern colonisation of Africa are Britain, France, Germany, Portugal, Spain and Italy. In nearly all African countries today, the language used in government and media is the one imposed by a recent colonial power, though most people speak their native African languages.
Who were the first humans in South Africa?
The earliest hominid known to have lived in southern Africa is Australopithecus africanus. It was apparently replaced by Homo (? evolved into Homo) by 2 million years ago, at approximately the same time as A. robustus is first recorded locally.
Which African country has the most history?
No list of incredible historic sites in Africa could ever be complete without Egypt. As the country is studded with awe-inspiring monuments, statues, and pyramids that date back millennia.
Who owned the Cotton Club in the 1920s?
Opened in 1923, the Cotton Club on 142nd St & Lenox Ave in the heart of Harlem, New York was operated by white New York gangster Owney Madden. Madden used the Cotton Club as an outlet to sell his “#1 Beer” to the prohibition crowd.
What did Duke Ellington do at the Cotton Club?
Ellington's orchestra began its four-year residency at Harlem's famous Cotton Club in 1927, providing music for sumptuous stage routines in which exotically dressed black dancers performed for an exclusively white audience.
Did Duke Ellington play at the Cotton Club?
The Duke Ellington Orchestra opened as house band at The Cotton Club in 1927. The handsome young bandleader perfectly turned out in top hat and tails was about to make a name for himself at the hottest, classiest club in Harlem.
Who created the Cotton Club?
Gangster Owney MaddenGangster Owney Madden, a Chicagoan, created the Cotton Club on 142nd St. & Lenox Avenue to be a whites-only club, except for the entertainers and staff. The African American employees were depicted as exotic savages or plantation residents, and the music was often orchestrated to bring to mind a jungle atmosphere.
Who was the photographer for the FSA?
The program was led by Roy Stryker, who was head of the FSA’s Historical Section. In Carlebach’s words, Stryker hired photographers to capture “images that explained America to Americans at the same time that they raised public and Congressional support for FDR’s most controversial farm programs.” The program employed photographers who are now well known—Dorothea Lange, Walker Evans, and Gordon Parks among them—each taking photos that even Stryker couldn’t have imagined. “I expected competence,” he said in an interview. “I did not expect to be shocked at what began to come across my desk…. Every day was for me an education and a revelation.”
What was the first attempt by the federal government to provide a broad visual record of American society?
As photographer and historian Michael L. Carlebach explains, the photography program sponsored by the Farm Security Administration (FSA) “was the first attempt by the federal government to provide a broad visual record of American society.”
What is the FSA photo?
As Weiner points out, the FSA photos are “the best-known images of US poverty,” and they can serve as a powerful model of “how public policy is mediated through representation and perception.” But even while the FSA was running the photography program, that representation was carefully monitored. Though Stryker warned photographers not to manipulate the subjects or the images for the sake of drama, he recognized the program’s aims. “My sense of PR…grew rapidly. And we were succeeding with our pictures…to a surprising degree,” he wrote in a letter.
What did the FSA do in 1935?
From 1935 to 1944, the FSA employed photographers to take images of the United States. It wasn’t as much about art as it was a political project, according to Carlebach. The FSA images “were intended to persuade Americans that changes needed to be made in the agricultural sector, and that New Deal programs were effective,” he writes.
Did Stryker say no to a photograph?
But despite being impressed by the photos, Stryker was also a harsh critic. He was responsible for giving the final yes or no on the images, and rather than simply saying no to a photograph, he punched a hole through the negative. As contemporary art scholar Andrew Stefan Weiner writes, “it is estimated that nearly half of the negatives shot by FSA photographers were cancelled” this way. But the many that remained did their job. As Carlebach writes, the images were in high demand, and “via the wire services, magazine articles, traveling exhibitions, and government brochures and handouts, the public began to respond favorably to the photographs and, more importantly, to express their support for at least some of the programs.”
Who were the FSA photographers in the 1930s?
From Dorothea Lange to Walker Evans, the FSA photographers of the 1930s shaped a vision of the world transformed by economic crisis.
Who was the photographer for the FSA?
The beginnings of the FSA photography project aligned perfectly with a transition in Dorothea Lange ’s early career, when she left San Francisco to focus on photographing agricultural labor and migratory workers throughout the state. Her most powerful work pictured men, women, and children either at work or stranded in the aftermath, like this woman: hands on hips, an understated, worldly experience emanating from her posture. Lange’s monumental photographs from her time in California— Migrant Mother (1936), Filipinos Cutting Lettuce (1935), and White Angel Breadline (1933) are on view in the gallery as well—form the backbone of the FSA’s lasting historical significance. In these photographs, Lange aligned her social documentation with a labor-focused political agenda that remains pointedly relevant today.
What are Lange's photographs?
Lange’s monumental photographs from her time in California— Migrant Mother (1936), Filipinos Cutting Lettuce (1935), and White Angel Breadline (1933) are on view in the gallery as well—form the backbone of the FSA’s lasting historical significance. In these photographs, Lange aligned her social documentation with a labor-focused political agenda ...
Who took the photographs of the Farm Security Administration?
In the exhibition One Third of a Nation: The Photographs of the Farm Security Administration, viewable online at Howard Greenberg Gallery until May 15, this essential historical record comes rushing back through iconic pictures taken by Dorothea Lange, Walker Evans, Ben Shahn, Arthur Rothstein, Gordon Parks, and others.
Who first saw the Evans photographs?
When fellow FSA photographer Jack Delano first saw Evans’s photographs, he said he was “stunned by the simplicity, sureness, power, and grace of the images.”. This photograph of a construction worker in Louisiana is no different.
Who was Russell Lee?
Perhaps the most prolific photographer employed by the FSA, Lee is most known for his photo-essays depicting rural Iowa and other locales in his coverage of the Midwest and West Coast. Lee’s photographs presented in One Third of a Nation give new light to the urban scenes he captured over those same years. Here, with a sign overhead proclaiming, “Floods Kill Hundreds in East,” and a man playing violin on the street, the malaise of metropolitan society resonates across America, urban and rural alike.
Who was Marion Post?
In 1937, stuck shooting fashion assignments for the Philadelphia Evening Bulletin, Marion Post (later Wolcott) approached her friend and mentor Ralph Steiner for advice. Two weeks later, buoyed by recommendations from Steiner and Paul Strand, she joined Stryker’s team of photographers at the FSA.