When was the Musicam Sacram promulgated?
Why is sacred music considered holy?
Why is sacred music important to the Church?
What is Abraham's faith?
Is Gregorian Chant sacred?
Who wrote Cantate Domino?
Monteverdi'Cantate Domino', with a text conflated from Psalms 95 and 97 (96 and 98) is another short motet contributed by Monteverdi to the anthology of motets for from one to eight voices published in 1620 by his pupil Giulio Cesare Bianchi.
When was Cantate Domino composed?
Cantate Domino by Josu Elberdin (1976) is a Motet combining the texts from Psalm 96 and 98 for 8-voice choir. Composed in 2011, this work is characterised by parallel 4th, 5ths and octaves where men's and women's voices work independently for interplay before unity.
What does Cantate Domino?
CANTATE DOMINO is the name by which the 98th Psalm is known in its place as an alternative to the Magnificat in the evening service of the Anglican church. The title is formed of the first words of the Vulgate version, according to the practice of the Anglican Psalter.
What genre is Cantate Domino?
Additional informationLabel2xHD-NaxosChannels2ch StereoArtistsAlf Linder, Marianne Mellnas, Oscar's Motet Choir, Torsten NilssonComposersAdam, Bossi, Gruber, Handel, Olsson, Reger, Traditional, Vogler, WaltherGenresClassical, Vocal12 more rows
What is cantate?
Cantate is a Latin word, meaning "sing!". It has become part of words in other languages, such as the French Cantate and the German Kantate, both meaning cantata. Cantata may refer to: Cantate Domino, or Psalm 98. Cantate Sunday, a Sunday of the church year for which the reading begins with the word.
Karl Jenkins - Cantate domino lyrics + English translation
Translation of 'Cantate domino' by Karl Jenkins from Latin to Englis
Mark Hayes - Cantate Domino lyrics | LyricsFreak
Read or print original Cantate Domino lyrics 2022 updated! Cantate domino canticum novum / Cantate domino omnis terra / Cantate domino
Free sheet music : Hassler, Hans Johann Leo - Cantate Domino (Choral ...
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Lyrics to Cantata Domino - Daily Prayer
Daily devotional and worship, including a Bible scripture reading, scripture discussion, morning prayer, evening prayers, music and Bible discussion.
Mark Hayes – Cantate Domino lyrics
Original lyrics of Cantate Domino song by Mark Hayes. 2 users explained Cantate Domino meaning. Find more of Mark Hayes lyrics. Watch official video, print or download text in PDF. Comment and share your favourite lyrics.
Gospel – Cantate Domino | All The Lyrics
Cantate Domino canticum novum: cantate Domino omnis terra, Cantate Domino et benedicite nomini ejus: annuntiate de die in diem salutare ejus. Annuntiate inter gentes gloriam ejus:
What is the motto of Cantate Domino?
Cantate Domino (Sing to the Lord) is then also the motto of the choir. Canticum Novum strives to share the message of the Gospel, as well as honour God as the creator of music. The repertoire consists only of sacred songs, with at least some new songs every year.
What does "cantate domino" mean?
Cantate Domino canticum novum! Sing to the Lord a new song! The name Canticum Novum means "New Song" and is derived from Psalm 96:1, which starts with the words Cantate Domino canticum novum (Sing to the Lord a new song). Cantate Domino (Sing to the Lord) is then also the motto of the choir.
What is the only choir in South Africa that sings sacred music?
Throughout its existence the choir has achieved many successes and has acquired a distinctive and beloved character, also due to its student makeup. Canticum Novum is the only choir in South Africa that only sings sacred music while at the same time consisting mainly of students and young adults.
What is Canticum Novum?
Canticum Novum is the church choir of the Stellenbosch Dutch Reformed Church (Moederkerk). The choir exists as a society of the University of Stellenbosch and is the only choir in South Africa connected to a university singing only sacred music.
How long did Anton Els conduct the Stellenbosch choir?
He held this position for 25 years – until 1990. Anton Els became the new conductor and in the 5 years that he held the position, the choir underwent its first name change – from the Stellenbosch Central Church Choir to the Stellenbosch Student Church Choir.
What is the choir in South Africa?
The choir is one of the few choirs in South Africa to sing only sacred music, but nevertheless holds regular public performances . It has become a tradition that, with the start of each year, the choir will practice and perform a mass or similar work with the University Stellenbosch Symphony Orchestra.
When did Stellenbosch Central Church separate from Stellenbosch Church?
When the Stellenbosch Central Church separated from the Stellenbosch Church (Moederkerk) in 1959 , Chris Swanepoel extended this tradition when he established a choir that consisted mainly of students. Out of this congregation the Stellenbosch Student Church later formed.
What is the magisterium of the Church?
The Magisterium of the Church provides us with a rich source of wisdom and guidance on the subject of sacred music in general, its various types, their varying suitability for the divine liturgy, and the qualities contemporary music composed for the Roman rite ought to possess if it is to be worthy of its exalted function.
Did the Second Vatican Council change or relativize these teachings of Pius X and Pius XII?
Did the Second Vatican Council change or relativize these teachings of Pius X and Pius XII? It has already been noted that the Council's Constitution on the Liturgy, Sacrosanctum Concilium (SC), as well as numerous post-conciliar documents, make explicit reference to the teachings of these Pontiffs, thus underlining the doctrinal continuity intended by the Council Fathers. In the first article of this series we showed, moreover, that the Council requests pastoral activity for the promotion of Latin congregational singing: "care must be taken to ensure that the faithful may also be able to say or sing together in Latin those parts of the Ordinary of the Mass which pertain to them" (SC 54). 10 In the section from the Constitution on the Liturgy devoted to sacred music, this request is worked out in greater detail. Stating first that "the treasury of sacred music is to be preserved and fostered with great care" (SC 114), it goes on to say (116): "The Church recognizes Gregorian chant as being specially suited to the Roman liturgy. 11 Therefore, other things being equal, it should be given pride of place in liturgical services. 12 Other kinds of sacred music, especially polyphony, 13 are by no means excluded from liturgical celebrations so long as they accord with the spirit of the liturgical action as laid down in Article 30." 14 In the context of SC 116, the phrase "other things being equal" can only mean that the Council does not intend to exclude other forms or styles of sacred music, as though it were wrong or always less desirable to make use of them. Rather, Gregorian chant "should be given pride of place" within a rich selection of musical works (e.g., classical polyphony, traditional hymns, or chant-like refrains in the vernacular) that possess the qualities requisite for liturgical worship, "which [works] are by no means excluded" by the primacy given to Latin chant.
When was the Musicam Sacram promulgated?
We are observing an important milestone, the fiftieth anniversary of the promulgation of the Instruction on Music in the Liturgy, Musicam Sacram, on March 5, 1967, under the pontificate of Blessed Paul VI. Re-reading the document today, we cannot avoid thinking of the via dolorosa of sacred music in the decades following Sacrosanctum Concilium. Indeed, what was happening in some factions of the Church at that time (1967) was not at all in line with Sacrosantum Concilium or with Musicam Sacram. Certain ideas that were never present in the Council’s documents were forced into practice, sometimes with a lack of vigilance from clergy and ecclesiastical hierarchy. In some countries the treasury of sacred music that the Council asked to be preserved was not only not preserved, but even opposed. And this quite against the Council, which clearly stated:
Why is sacred music considered holy?
Therefore sacred music is to be considered the more holy in proportion as it is more closely connected with the liturgical action, whether it adds delight to prayer, fosters unity of minds, or confers greater solemnity upon the sacred rites.
Why is sacred music important to the Church?
Holy Scripture, indeed, has bestowed praise upon sacred song, and the same may be said of the fathers of the Church and of the Roman pontiffs who in recent times, led by St. Pius X, have explained more precisely the ministerial function supplied by sacred music in the service of the Lord. Therefore sacred music is to be considered the more holy in proportion as it is more closely connected with the liturgical action, whether it adds delight to prayer, fosters unity of minds, or confers greater solemnity upon the sacred rites. But the Church approves of all forms of true art having the needed qualities, and admits them into divine worship. (SC 112)
What is Abraham's faith?
As a response to a word which preceded it, Abraham’s faith would always be an act of remembrance. Yet this remembrance is not fixed on past events but, as the memory of a promise, it becomes capable of opening up the future, shedding light on the path to be taken. We see how faith, as remembrance of the future, memoria futuri, is thus closely bound up with hope. (LF 9)
Is Gregorian Chant sacred?
On these ground s Gregorian Chant has always been regarded as the supreme model for sacred music, so that it is fully legitimate to lay down the following rule: the more closely a composition for church approaches in its movement, inspiration and savor the Gregorian form, the more sacred and liturgical it becomes; and the more out of harmony it is with that supreme model, the less worthy it is of the temple. (St. Pius X, Motu Proprio Tra le Sollecitudini)
Overview
History
The activities of Canticum Novum are the continuance of a well-founded choir tradition that came about more than a century ago within the Stellenbosch Dutch Reformed Church. This tradition includes notable South African figures in choral music such as Gawie Cillié, Chris Swanepoel, Pieter van der Westhuizen and Anton Els. When the Stellenbosch Central Church separated from the Stellenbosch Church (Moederkerk) in 1959, Chris Swanepoel extended this tradition when h…
Name and Motto
Cantate Domino canticum novum! Sing to the Lord a new song!
The name Canticum Novum means "New Song" and is derived from Psalm 96:1, which starts with the words Cantate Domino canticum novum (Sing to the Lord a new song). Cantate Domino (Sing to the Lord) is then also the motto of the choir.
Canticum Novum strives to share the message of the Gospel, as well as honour God as the crea…
Emblem
The core consists of a Plane leaf, symbolic of steadfastness, with the primary vein typifying a cross. The nine points of the leaf represents, in this order, the supporters of the members as the uppermost leaflet, and the eight voice parts as the remaining leaflets. The leafstalk is turned clockwise, signifying advancement.
Cantate Domino canticum novum!
Repertoire
The choir is one of the few choirs in South Africa to sing only sacred music, but nevertheless holds regular public performances. It has become a tradition that, with the start of each year, the choir will practice and perform a mass or similar work with the University Stellenbosch Symphony Orchestra. The following works have been performed:
• 2013 – Schubert Mass in A flat major D678
External links
• Canticum Novum Homepage
• Stellenbosch Dutch Reformed Church (Moederkerk)