Local-color writers such as Sarah Orne Jewett (1849-1909), Joel Chandler Harris (1848-1908), and Helen Hunt Jackson (1830-1885) were among the most popular writers of their time. Yet the label “ local colorist ” has always suggested a writer of second-class stature. The pejorative note stems in part from the gender bias of literary critics.
Who were the local colorists?
Local-color writers such as Sarah Orne Jewett (1849-1909), Joel Chandler Harris (1848-1908), and Helen Hunt Jackson (1830-1885) were among the most popular writers of their time. Yet the label “ local colorist ” has always suggested a writer of second-class stature.
Who was the first color writer in America?
Bret Harte, famous for his stories of the American West, is generally thought to be the first American local color writer, but Louisiana authors, including George Washington Cable, Kate Chopin, and Ruth McEnery Stuart, soon became central figures in the genre.
Who were some of the southern colorists?
Two other celebrated Southern local colorists were Mary Noailles Murfree (1850-1922), who wrote about Tennessee mountain life under the pen name Charles Egbert Craddock, and Kate Chopin (1850-1904), who examined the influence of Creole and Cajun roots on New Orleans culture. A Posthumous Renaissance.
Who are the best American writers of the pre-war era?
Obviously, many pre-war writers, from Henry David Thoreau and Nathaniel Hawthorne to John Greenleaf Whittier and James Russell Lowell, paint striking portraits of specific American regions.
Who is the most famous local color writer?
Local-color writers such as Sarah Orne Jewett (1849-1909), Joel Chandler Harris (1848-1908), and Helen Hunt Jackson (1830-1885) were among the most popular writers of their time.
Who wrote local color?
Local Color (film)Local ColorWritten byGeorge GalloProduced byJimmy Evangelatos Julie Gallo David SosnaStarringArmin Mueller-Stahl Trevor Morgan Ray Liotta Charles Durning Samantha MathisCinematographyMichael Negrin9 more rows
Is Mark Twain a local color writer?
Summary. Mark Twain can be seen as one of the writers of local color and regional literature during his time. His Western writings and his evocation of the Mississippi River make him part of the movement of local color and regionalism that were important as realism emerged as a literary period.
What were the majority of local color writings known for?
Most local colorists hoped to "cash in" on urban dwellers' fascination with, nostalgia for, and idealization of rural areas, which lead many local color writings to be highly descriptive and very detailed but also one-dimensional and stereotypical in terms of characterization.
What is local color in Philippine literature?
Local Color reflects the characteristic appearance, mannerisms, speech, and dress of a place or a period. It is a term applied particularly to literature and the arts.
Who are the regional writers?
Regional writersJames Lane Allen.Sherwood Anderson.Mary Austin.Wendell Berry.Alice Brown.George Washington Cable.Erskine Caldwell.Alice Cary.More items...
What is local color literature?
local colour, style of writing derived from the presentation of the features and peculiarities of a particular locality and its inhabitants.
Which of the following is the best definition of local color?
Local color is used to refer to customs, traditions, dress, and other things which give a place or period of history its own particular character.
What is local color realism?
Local color or regional literature is fiction and poetry that focuses on the characters, dialect, customs, topography, and other features particular to a specific region.
Why did authors write local color stories?
Themes: Many local color stories share an antipathy to change and a certain degree of nostalgia for an always-past golden age. A celebration of community and acceptance in the face of adversity characterizes women's local color fiction.
What are the source of local Colour?
Bark is taken from one side only, in order to keep the tree healthy. The region is rich with sources of natural color, including reds from teak leaves, indigo from the local Indigofera erecta, gold and yellow from barks, and black from tannin and iron-rich mud.
What is a regionalist writer?
Regionalism indicates that a writer has chosen to focus on one of the areas outside the centers of power, and to organize the work around that region. In American literature, regionalism has been associated with the sketch or short story, although the category can accommodate poetry and the novel.
Who was the first color writer?
Bret Harte, famous for his stories of the American West, is generally thought to be the first American local color writer, but Louisiana authors, including George Washington Cable, Kate Chopin, and Ruth McEnery Stuart, soon became central figures in the genre.
What is local color fiction?
Local color fiction was a literature genre popular with American readers between 1870 and 1900. Grace King. Unidentified. L ouisiana writers played an important role in the development of local color fiction, a type of literature popular with American readers between roughly 1870 and 1900. Local color fiction typically forefronts ...
What did Grace King write about?
Grace King was one such writer. Like Cable, King wrote about miscegenation, but in her 1893 story “The Little Convent Girl,” miscegenation is linked with tragedy. A girl chooses suicide rather than living as a mixed-race woman in Louisiana, suggesting the undesirable consequences of miscegenation . Drawing on her personal experiences, King’s fiction captures not only the postbellum world of Louisiana, but also the particular world of women and their relationships with each other. Published in 1888, Monsieur Motte tells the story of the orphan Marie Modeste, a young white woman attending boarding school in New Orleans, and Marcelite, her devoted black servant, typical of a character popular in southern local color fiction attempting to justify the past. King’s stories capture local customs and speech, but also broader issues concerning the place of women in American society and the nature of race relations in the South.
What did George Washington Cable write about?
George Washington Cable, for example, chose the local color genre to critique Louisiana’s racial history. Where other southern writers chose to defend the southern plantation system and its reliance on slavery, Cable criticized racism in New Orleans and insisted on the region’s biracial heritage. Following the South’s defeat, the meaning of the term “ Creole ” was in flux in Louisiana. White aristocrats, anxious to defend their social status, insisted that the term applied only to whites of European descent, even though historically it had applied to French-speaking African Americans as well. In his 1880 novel, The Grandissimes, Cable argued against this exclusive definition by describing the region’s history of miscegenation and the racially mixed population that had resulted. Cable’s other fictional works, including Old Creole Days (1879) and Madame Delphine (1881), also present race relations from a postbellum, liberal perspective. In such stories as “Madame Delphine” and “‘Tite Poulette,” Cable explores the subject of racial passing—fair-skinned blacks “passing” for white—thereby subverting the idea of racial “purity” among Louisiana Creoles.
Why did Louisiana colorists use their work?
In response, Louisiana local colorists—like other southern writers—sometimes used their work to celebrate, justify, or explain their region’s past.
What is Grace King's role in color fiction?
L ouisiana writers played an important role in the development of local color fiction, a type of literature popular with American readers between roughly 1870 and 1900. Local color fiction typically forefronts the distinctive dialect, history, and customs of a specific place or region.
Why is local color fiction criticized?
Local color fiction has been, justifiably, criticized for its superficial depiction of cultures and racist portrayals of black characters . In recent years, however, scholars have suggested that the genre presents more complex renderings of race and gender than previously imagined.
What is local color writing?
Local color writing, which was regionally, and often rurally, based and usually took the form of short stories intended for mass consumption, met a need for stories about simpler times and faraway places. Although local color writing encompassed a number of regions, including New England and the Midwest, southern local color had about it ...
Who were the authors of the South?
The authors of this work, among them John Crowe Ransom, Donald Davidson, Allen Tate, and Robert Penn Warren, argued that the South, having held on to its agrarian culture longer than the rest of the country, could serve as a model for a society in which man rather than the machine was dominant.
What is regionalism in literature?
Whereas local color is often applied to a specific literary mode that flourished in the late 19th century, regionalism implies a recognition from the colonial period to the present of differences among specific areas of the country. Additionally, regionalism refers to an intellectual movement encompassing regional consciousness beginning in ...
What did Southern writers write about after the Civil War?
Southern writers after the Civil War wrote about a variety of places and people, providing a sense of the diversity of the South. Sidney Lanier's poems ("The Marshes ...
When did the color movement start?
Although the beginning of the movement is usually dated from the first publication in the Overland Monthly in 1868 of Bret Harte's stories of California mining camps, a disproportionate number of contributors of local color stories to national magazines were southerners. The genesis of the local color movement was not surprising.
What did the authors of the South think about the dehumanization brought about by industrialization and the assembly line?
Citing the dehumanization brought about by industrialization and the assembly line, the authors posited that, although the South would not remain entirely agriculturally based, the southern way of life was more conducive to a full relationship between man and his surroundings.
