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How did Palmer Hayden get his name?
After moving to DC at age sixteen to live with an aunt, he took a job as a general laborer for the circus. In 1912 he enlisted in the military, but due to a mistaken reference letter, he was registered as Palmer Cole Hayden, a name he adopted as his own.
What impact did Palmer Hayden have on history?
After six years of part-time art studies, Hayden won the first Gold Medal in Fine Arts for a marine watercolor from the Harmon Foundation, a nonprofit that supported African Americans in the arts.
WHO WAS Palmer Hayden influenced by?
For the next ten years, from 1944 to 1954, Hayden worked on a series of works. This series of twelve works was inspired by African American folk hero, John Henry.
What was Palmer Hayden known for?
Palmer C. Hayden (January 15, 1890 – February 18, 1973) was an American painter who depicted African-American life, landscapes, seascapes, and African influences. He sketched, painted in both oils and watercolors, and was a prolific artist of his era.
What is the meaning behind the janitor who paints?
Artist Palmer Hayden's The Janitor Who Paints features the common theme of an artist in his studio, but in 1969, he described this painting as “a sort of protest painting” of his own economic and social standing as well as that of his fellow African Americans.
Who were the artists of the Harlem Renaissance?
Aaron DouglasJacob LawrenceAugusta SavageJames Van Der ZeeLois Mailou JonesArchibald MotleyHarlem Renaissance/Artists
What style of art did Palmer Hayden do?
Harlem RenaissancePalmer Hayden / PeriodThe Harlem Renaissance was an intellectual and cultural revival of African American music, dance, art, fashion, literature, theater, politics and scholarship centered in Harlem, Manhattan, New York City, spanning the 1920s and 1930s. Wikipedia
When and where was Hayden born?
August 4, 1913, Detroit, MIRobert Hayden / Born
What is an element of art that can engage the viewer and express a wide range of emotions?
Color and Texture in Visual Art Allegedly, colors are able to induce the widest range of emotions out all the visual art elements, which is why they are often seen as enigmatic and cryptic as if they truly possess a power to affect our emotional state.
What style of art did Palmer Hayden do?
Harlem RenaissancePalmer Hayden / PeriodThe Harlem Renaissance was an intellectual and cultural revival of African American music, dance, art, fashion, literature, theater, politics and scholarship centered in Harlem, Manhattan, New York City, spanning the 1920s and 1930s. Wikipedia
What is the meaning of Midsummer Night in Harlem?
Midsummer Night in Harlem was meant to embody the community in Harlem. Palmer Hayden portrayed a high-energy community sitting outside of their houses to cool off on a hot summer night. This painting shows the energy and positive attitude through vibrant colors and the expressions of the people.
What is an element of art that can engage the viewer and express a wide range of emotions?
Color and Texture in Visual Art Allegedly, colors are able to induce the widest range of emotions out all the visual art elements, which is why they are often seen as enigmatic and cryptic as if they truly possess a power to affect our emotional state.
Who was Palmer Hayden?
Palmer Hayden. Judging a scene he is painting (early 1930s). Palmer C. Hayden (January 15, 1890 – February 18, 1973) was an American painter who depicted African-American life, landscapes, seascapes, and African influences . He sketched, painted in both oils and watercolors, and was a prolific artist of his era.
Where was Palmer Hayden born?
Early life. Palmer C Hayden, originally named Peyton Cole Hedgeman, was born on January 15, 1890 in Widewater, Virginia. Hayden was introduced to the arts by his older brother who took up drawing at an early age. Despite his early interest in art, Hayden had ambitions to become a fiddle player. Unfortunately, several obstacles prevented this, ...
Why did Hayden and Le Fevre end?
He was mentored for a short while by an artist named Clivette Le Fevre, but ultimately, the relationship ended because of Le Fevre's disbelief in Hayden's talents.
What circus did Hayden work for?
Discouraged, Hayden decided to go into employment as a laborer for the Buffalo Bill Circus and then the Ringling Brothers Circus. He bounced from occupation to occupation with little commitment, then decided to enter the army 's black company stationed in the Philippines . Hayden enlisted into the military in 1912.
How did Hayden pursue his art?
Hayden pursued artistic professionalism by studying charcoal drawing at Columbia University as he simultaneously worked nights at the post office. When Hayden decided his post office job took up too much of his time, he quit and began janitorial services in various apartment buildings throughout New York City. Coincidentally, the first tenant he worked for was Victor Perard, an artist and art instructor at the Cooper Union, previously called the Cooper Institute. Hayden was hired to clean Perard's studio and was encouraged to continue to develop his art.
What was Hayden's role in the military?
He was assigned to the 10th Cavalry at West Point where his role was taking care and training the horses that the cadets learned to ride on.
What was Hayden's first experience in the military?
This was Hayden's first true experience with artistic education . After four years of service in the military, Hayden decided to re-enlist. He was assigned to the 10th Cavalry at West Point where his role was taking care and training the horses that the cadets learned to ride on. At this time, he also enrolled into a correspondence drawing course, on which he spent $10 of the $18 he made monthly.
Who is Palmer Hayden?
Palmer Hayden, original name Peyton Cole Hedgeman, (born January 15, 1890, Widewater, Virginia, U.S.—died February 18, 1973, New York, New York), African American painter who came to prominence during the Harlem Renaissance. He is known best for his seascapes and his lively depictions of everyday life in Harlem.
Who were Hayden's contemporaries?
In the 21st century Hayden and his contemporaries (e.g., Archibald Motley, Jr., and Augusta Savage ) are generally understood as having engaged in that debate through their art as an inroad to understanding what it both meant and looked like to be the “New Negro.”. Naomi Blumberg.
Where did Hayden go to school?
Throughout his near-decadelong service Hayden continued to draw. When he was discharged from the army, he went to New York City, where he worked nights at the post office and studied drawing during the day in summer-school classes at Columbia University.
What did Palmer Cole Hayden do?
After moving to DC at age sixteen to live with an aunt, he took a job as a general laborer for the circus. In 1912 he enlisted in the military, but due to a mistaken reference letter, he was registered as Palmer Cole Hayden, a name he adopted as his own.
What style of painting did Hayden use?
Returning to New York in 1932, Hayden continued to paint in this flat, faux-naïf style .
Why did Hayden alter the painting?
While Hayden altered the painting in response to mounting criticism, he would later defend the earlier rending as a "protest painting." In a 1969 interview, Hayden cited his friendship with Cloyd Boykin, an older African American painter who supported himself as a janitor, as its source of protest. "I painted it because no one called Boykin the artist," said Hayden. "They called him the janitor."
What is the name of the black company that Palmer Hayden is in?
Enlists in the U.S. Army's 24th Infantry Regiment, an all-black company; assumes the moniker Palmer Hayden
Why did Hayden paint African American folk art?
Hayden insisted that he was not striving for satirical effects in his African American folk paintings but that he wanted to achieve a new type of expression. In a February 1947 interview with Nora Holt, Hayden explained, "I decided to paint to support my love of art, rather than have art support me."
How much did Hayden receive from Dike?
The following year, Hayden received a $3,000 gift from Dike, who wished to remain anonymous. Combined with the monetary award he had received, Hayden planned to use Dike's contribution for a two-year art study in Europe, in spite of his precarious financial state.
What did Hayden do in the army?
In addition to affording an opportunity to earn a decent living, the army also gave Hayden ample time to draw surrounding land- and seascapes. With more time to draw, Hayden began receiving tutorials from his white second lieutenant Arthur Boetscher, who drew maps as a hobby. While he was assigned to the 10th Cavalry at West Point after re-enlisting in 1918, he was not a cadet but was instead assigned as a caretaker of the cadets' training horses. Although it required more than half of his $18 per month salary, Hayden was able to enroll in a correspondence course in drawing for $10 each month.
Where did Hayden live?
At the close of the war in 1919, Hayden settled in New York. While working nights at the post office, Hayden studied charcoal drawing at Columbia University. Since the job required too much of his time, he quit the post office to begin part time work as a janitor in a Greenwich Village apartment building. Luckily, the first tenant he assisted was Victor Perard, then instructor at Cooper Institute (later called Cooper Union); Perard hired Hayden as a helper in his studio, while continuing to nurture his artistic talent.
When did Hayden end his lessons?
Despite financial constraints, which led him to end his lessons late in 1928, Hayden showed at the Bernheim-Jeune Gallery. As a solo show, the exhibit should have served as a major achievement but was marred by the disapproval of Le Fevre. As Hayden's former teacher, an angry Le Fevre felt that he was not prepared. The two men never saw each other again.
Overview
Palmer C. Hayden (January 15, 1890 – February 18, 1973) was an American painter who depicted African-American life, landscapes, seascapes, and African influences. He sketched, painted in both oils and watercolors, and was a prolific artist of his era.
Early life
Palmer C Hayden, originally named Peyton Cole Hedgeman, was born on January 15, 1890 in Widewater, Virginia. Hayden was introduced to the arts by his older brother who took up drawing at an early age. Despite his early interest in art, Hayden had ambitions to become a fiddle player. Unfortunately, several obstacles prevented this, including his reserved nature and financial instability in his family. Despite his great success as an artist, Hayden would later come to regre…
Artistic beginnings and Parisian travels
Hayden pursued artistic professionalism by studying charcoal drawing at Columbia University as he simultaneously worked nights at the post office. When Hayden decided his post office job took up too much of his time, he quit and began janitorial services in various apartment buildings throughout New York City. Coincidentally, the first tenant he worked for was Victor Perard, an artist and art instructor at the Cooper Union, previously called the Cooper Institute. Hayden was …
Return, racial commentary and stylistics
After five years abroad, traveling with funds borrowed from the American Aid Society of Paris, a non-profit organization meant to support Americans abroad, Hayden decided to return to the United States on August 11, 1932. He remained in New York City, where he had lived before going abroad, and upon his return, he became a Works Progress Administration artist with an impressive salary of about $30 weekly.
The aged Hayden
Ten years after his initial visit in 1926, Hayden returned to Paris briefly; little else is known about this visit. He was back in New York within a year and at the age of 50, he married Miriam Huffman. He decided in 1944 to begin a new project, which resulted in a three-year effort that culminated his most fulfilling works: The John Henry series. The idea was rooted in a legend he had been told in childhood by his father and he took to researching the legitimacy of the folktale, drawing inspi…
Works
• The Janitor Who Paints, original, oil on canvas, 1937
• The Janitor Who Paints, revised, oil on canvas, Smithsonian, ca. 1937
• Fetiche et Fleurs, oil on canvas, 1926
• Nous quatre a Paris, watercolor, 1930
Notes
1. ^ "Palmer C. Hayden papers, 1920-1970", Archives of American Art, Smithsonian.
2. ^ "Palmer Hayden (1890- 1973) – The Arts In New York City". Retrieved 2020-11-23.
3. ^ Bearden, Romare; Henderson, Harry (1993). A History of African-American Artists: From 1792 to the Present. New York: Pantheon. ISBN 978-0394570167.
External links
• Works by or about Palmer Hayden at Internet Archive
• Palmer C. Hayden papers online at the Smithsonian Archives of American Art