Why is French cinema so special?
Apart from its strong and innovative film tradition, France has also been a gathering spot for artists from across Europe and the world. For this reason, French cinema is sometimes intertwined with the cinema of foreign nations.
Do French films still have a place in the world?
French films and and producers continue to influence cinema around the world, especially in Hollywood. Noteworthy example of success of French film in the U.S: Amelie $173 million world wide In addition, many French Directors continue to make big box office films in the U.S
Do French people go to movies more than Germans?
French people still go to the movies twice as much as Germans do, and ticket prices are still higher on average in Germany. Meanwhile, the US is a paradise for cinema lovers in terms of available screenings. So what?
What is the difference between European cinema and American cinema?
Some would say that a major difference between European and American cinema is that European films have almost no plot and become cinematic essays, whereas American scriptwriters are taught that their films must have carefully prepared plots that the studio bosses can understand.
What is the goal of American films?
What is the opposite of European filmmaking?
What is the difference between American and European movies?
Why do Americans go to movies?
Is silence a virtue?
Do European movies end up in theaters?
Who is the lead character in the movie Ida?
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What is special about French cinema?
Creating light, funny moments in moving dramas is true art and the French have that down pat. Many French movie stars are booked to play in films abroad, including Hollywood. French blockbusters films — often synchronized — do well abroad, too, or are even re-made in Hollywood, American-style.
What is the difference between French cinema and American cinema?
A serious distinction that affects the types of movies made is the fact that American films are usually producer/studio controlled, while European films are director controlled. In the majority of the European films, the directors try to create something new and more artistic, and they take risks and expose themselves.
What is the tradition of quality French cinema?
This sad neglect is largely the responsibility of François Truffaut, who, as a feisty, angry young critic before he became a filmmaker, spent much of the fifties attacking what he ironically labeled “the French Tradition of Quality”— the tendency toward stiff pictorialism, literary rhetoric, and empty, impersonal ...
What is French cinema movement?
French New Wave (French: La Nouvelle Vague) is a French art film movement that emerged in the late 1950s. The movement was characterized by its rejection of traditional filmmaking conventions in favor of experimentation and a spirit of iconoclasm.
What is the main difference between American and European cinema?
The major difference between the European cinema and Hollywood is the capital spent and gained. Hollywood spends a huge sum of money to express the art and approximately releases 700 films a year. European cinema is known for its simple, artistic, ironic, and metaphorical storytelling that consumes fewer finances.
What are 3 cinematic characteristics of French New Wave films?
The French New Wave is a film movement that emerged from France in the 1950s. The films were characterized by fast-paced editing, close-ups of faces, and on-location shooting for authentic backgrounds. They often focused on topics such as religion, class struggle, sexuality, and youth culture.
What is the most important genre in French cinema?
comedyThis is mainly due to the fact that comedy, the genre which dominates the French box office (66% of admissions for French films), accounts for a much smaller proportion in foreign markets (only 35%, although it remains the dominant genre).
Does watching French movies improve?
Learning French by watching French movies can help you learn new expressions, expand your vocabulary, and improve your familiarity and fluency with French grammar. Movies are also a really engaging way to learn French, much more so than traditional learning materials. But, you must be prepared to work with the movie.
What is French cinema class?
Each class includes an open discussion in French and English. This course provides a deeper understanding and analysis of French language films in a relaxed environment on Zoom. Because the class is virtual, the students are asked to watch the film (in French with English subtitles) before the lesson.
Is there censorship in French films?
Cinemas are bound by law to prevent underaged audiences from viewing films and may be fined if they fail to do so. The Commission cannot make cuts to a film, but it can ban it, although this latter power is rarely used. In practice, this means that most films in France are categorized rather than censored.
How popular is French cinema?
In terms of market shares, French films accounted for 40.8 % of cinema admissions in 2021, as opposed to the 42.4 % enjoyed by American productions and 16.8 % by feature films from other countries.
Are movies in French cinemas in English?
First of all, there are two kinds of films shown in French cinemas; a French dubbed version and the original version (in whatever language that may be). The French dubbed version is listed as VF or version Française. Likewise, films in their original language are listed as VO, or version originale.
What is American cinema?
A cinema is a place where cinematic films are shown. ('Movies' in American English).
What is French cinema class?
Each class includes an open discussion in French and English. This course provides a deeper understanding and analysis of French language films in a relaxed environment on Zoom. Because the class is virtual, the students are asked to watch the film (in French with English subtitles) before the lesson.
What is the American form of cinema?
Classical Hollywood cinema, or the Golden Age of Hollywood, is defined as a technical and narrative style characteristic of American cinema from 1913 to 1969, during which thousands of movies were issued from the Hollywood studios.
Are movies in French cinemas in English?
First of all, there are two kinds of films shown in French cinemas; a French dubbed version and the original version (in whatever language that may be). The French dubbed version is listed as VF or version Française. Likewise, films in their original language are listed as VO, or version originale.
Differences between American and French Movies - AnglaisPod Forum
which french movies did you see since you are in France? the difference between American and French movies?first the BUDGET Hollywood is a big machine to make movies!!I think the French are more subtils(les choristes,36 quai des orfevres,la mome,Amelie Poulain) in general,exept the Luc Besson's movies who works like Americans.Of course in States you have"le silence des agneaux,seven or le ...
What are the main differences between Hollywood and European ... - Quora
Answer (1 of 10): First off, every European country produces different movies. Naturally since every country have different cultures. Swedish movie isn’t the same as French movie. Most are region specific. But there are some universal similarities between them and this is what separates them fro...
What is the most distinctive quality of French cinema?
This diversity is the most distinctive quality of the national output. Viewers abroad tend to associate French cinema with upmarket values, with a certain intellectualism, characterised by the moral comedies of Eric Rohmer, or with decorous, handsomely mounted romanticism, in the school of Jeande Florette.
Why is French cinema so innovative?
French cinema is also widely identified with innovation, not least because of the so-called New Wave directors who emerged in the late-50s, their formal adventures often accompanied by militant calls to break with the past.
When you fall in love with the cinema of France, it’s not just the films that win us over, but?
When we fall in love with the cinema of France, it’s not just the films that win us over, but an attitude to cinema. A famous French ad campaign proclaimed: “When you love life, you’ve been to the cinema.”
Is French cinema entertainment?
French cinema is more than just entertainment. The French love affair with the silver screen has produced some memorable and thought-provoking movies, as Jonathan Romney reports. Sometimes you can best appreciate the Frenchness of a film when it doesn’t appear to be all that French.
Is French cinema a scandal?
Of course, French cinema has never balked at scandal and its wilder directors can always be relied on to turn the air sulphurous, whether it’s a showman of extremity like Gaspar Noé ( Irreversible) or a more considered taboo-breaker such as Catherine Breillat, a writer-director who since the 70s has explored female sexuality from every conceivable viewpoint.
Is cinema considered an art in France?
In France, cinema is taken seriously, traditionally considered an art rather than merely a form of entertainment or an industrial product. In that spirit, and in the name of “cultural exception”, the French state has long supported home-grown cinema as both art and business. The film industry benefits from huge subsidies – €700 million in 2012 – largely generated by a tax on ticket sales, while TV broadcasters are committed to investment in features. All this makes it possible for a very wide range of films to get made – a record 279 films were given the green light in 2012 – and not only those with obvious box-office potential.
Is French cinema more innovative than any other country?
In reality, French cinema today is no more regularly innovative than any other national cinema. Yet French film culture in general is marked by an openness to the possibility of the new, the expectation that something revelatory might be just around the corner; indeed, the Cannes Film Festival is fuelled by just this tantalising frisson.
What percentage of movies were made in France in 2014?
Even if 2016 was not a prolific year—only one French production ranked in the top 10— French studios created at least a third of all movies in France, peaking with 44.5% of all films in 2014. Another explanation for the poor performance of cinema in Germany lies in the country’s demographic structure.
Why is cinema so poor in Germany?
Another explanation for the poor performance of cinema in Germany lies in the country’s demographic structure. The country’s birth rate is one of the lowest in the world , and the median age* in Germany is 46.8 years (compared to 37.9 in the US). This is evident in the German cinema: 16% of the German population is ages 10 to 24, but they make up 29% of all ticket sales.
What are some remakes of French movies?
The Birdcage, Three Men and a Baby, and The Talented Mr. Ripley are just a few other US remakes of French films. A complete list can be found on Wikipedia.
Can I watch American movies in Europe?
Perhaps most obviously, I can watch American movies anywhere in Europe. However, it’s almost impossible to get a French or German movie here in the US!
Is the French film industry doing well?
The French film industry is doing well (tickets sales increased by 3.6% in 2016). French people still go to the movies twice as much as Germans do, and ticket prices are still higher on average in Germany. Meanwhile, the US is a paradise for cinema lovers in terms of available screenings. Differences Between Cinema in France, Germany, and the US.
Do French broadcasters have to devote a minimum number of screens to French movies?
Also French broadcasters have to devote a minimum number of screens to French movies. As a result, this setup favors smaller productions that, in other countries, would never come to life. Today, French cinema is the exception in Europe.
Who invented the projector in France?
The French are very proud of the brothers Lumière who, inspired by the projector invented by Thomas Edison, figured out how to combine film recording and projection into a single device. Called the seventh art in France, cinema was always popular, but with the rise of television, fewer people went to the movies.
What was Renoir's most famous movie?
Renoir's career took off with Boudu Saved from Drowning (1932), and thereafter produced a string of brilliant films up to the outbreak of the second world war: A Day in the Country (1936), The Crime of Monsieur Lange (1936), La Grande Illusion (1937), La Bête Humaine (1938), and arguably the greatest of all: La Règle du Jeu (1939).
What was the most famous silent film of the silent era?
The towering achievement of French cinema in the silent era was undoubtedly Abel Gance's six-hour biopic of Napoleon (1927), which like many large-scale productions of the time, has had a choppy subsequent history. Thanks largely to the efforts of film historian Kevin Brownlow, a 330-minute restored version – complete with the original's three-projector finale – can be occasionally seen; but since Gance originally planned a six-film cycle, of which only number one was ever completed, we will only ever have a fraction of what was intended. But Belgian-born Jacques Feyder was not to be outdone, with the extraordinary L'Atlantide (1921), and Faces of Children (1925). And the artistic ferment of pre- and post-first world war France made itself felt cinematically, with an amazing outpouring of avant-garde short films. Key titles include Jean Vigo's Soviet-influenced A Propos de Nice (1929), Fernand Léger's Dada-ist Ballet Mecanique (1924), and two surrealist masterworks: Germaine Dulac's The Seashell and the Clergyman (1928), with an Antonin Artaud screenplay, and the Buñuel/Dali collaboration Un Chien Andalou (1929).
When was the arrival of a train at La Ciotat Station made?
Film historians call The Arrival of a Train at La Ciotat Station, the 50-second film by the Lumière brothers first screened in 1895, the birth of the medium. If playback doesn't begin shortly, try restarting your device. Videos you watch may be added to the TV's watch history and influence TV recommendations.
When was Les Enfants du Paradis filmed?
But Carné, arguably, outdid them all with Les Enfants du Paradis (1945); filmed during the Nazi occupation, the romantic melodrama set in the 19th-century theatre world became a symbol of national cultural identity when it was finally released. YouTube.
Who made the musical Under the Roofs of Paris?
René Clair made the musical, Under the Roofs of Paris (1930). But the period really belonged to the pioneers of "poetic realism" – Vigo, Jean Renoir, Julien Duvivier and Marcel Carné.
Who wrote the avant garde diary of a country priest?
The disruption caused by the war saw the avant garde regain the upper hand, with Robert Bresson 's minimalist Diary of a Country Priest (1951) and Jean Cocteau's La Belle et la Bête (1946) and Orphée (1950). (Fans of The Matrix might notice where they borrowed their liquid-mirror idea from.)
Who made the first science fiction movie?
But the best-known early pioneer, who made films with some kind of cherishable narrative value, was Georges Méliès, whose 1902 short A Trip to the Moon is generally heralded as the first science-fiction film, and a landmark in cinematic special effects.
Why did the French Film Festival start?
It started more than two decades ago because at that time few French films found their way on to UK screens. The French industry makes more than 200 productions or co-productions a year which meant that UK audiences were missing out. The Festival began between Edinburgh and Glasgow and now has expanded to include leading cinemas throughout Scotland from Inverness to Bo’ness, from Dundee to Hawick. In all there are more than 30 locations including Cardiff and Belfast.
Who is the alter ego of Jean-Pierre Léaud?
François Truffaut ’s autobiographical Les Quatre Cents Coups set in a 1950s monochrome Paris made a huge impact on me: the film established Truffaut’s reputation, and that of his alter ego, Jean-Pierre Léaud, who appears in The Death of Louis XIV on Sunday 20 November at DCA.
Is France a cinema?
France has always been the cradle of cinema from the days of the pioneering Lumière Brothers. More people go to the cinema in France than any other country in Europe. Cinema is regarded as the Seventh Art. French cinema used to be known for its auteurs. This reputation survives, but French film-makers have now introduced modern trends and up to date techniques within the French tradition. Their films provide foreign distributors with an alternative to US titles.
What are the Hollywood moguls focused on?
In the U.S, the Hollywood moguls focused on it commercial possibilities.
What is Avant Gaurde?
Avant Gaurde: "the advance group in any field,especially in the visual,literary, or musical arts, whose works are charachterized chiefly by unorthdox and experimental methods"
How many footprints are there on the concrete forecourt?
Almost 200 footprints and signatures on the concrete forecourt.
What is approach in film?
Approach is clearly based on economic and social values that shape the film industry.
Why has the film industry produced less films a year?
Since then, the film industry has produced less films a year because of T.V and other sources of entertainment.
When did the movie Industy start?
Got a later start then the French film industy, in 1910 the U.S
What were the major companies in the French film industry?
The early days of the industry, from 1896 to 1902, saw the dominance of four firms: Pathé Frères, the Gaumont Film Company, the Georges Méliès company, and the Lumières.
What movie was made in the 1980s?
Jean-Jacques Beineix 's Diva (1981) sparked the beginning of the 1980s wave of French cinema. Movies which followed in its wake included Betty Blue ( 37°2 le matin, 1986) by Beineix, The Big Blue ( Le Grand bleu, 1988) by Luc Besson, and The Lovers on the Bridge ( Les Amants du Pont-Neuf, 1991) by Léos Carax. These films, made with a slick commercial style and emphasizing the alienation of their main characters, was known as Cinema du look .
How many French films were made in 2012?
In 2012, with 226 million admissions (US$1,900 million) in the world for French films (582 films released in 84 countries), including 82 million admissions in France (US$700 million), 2012 was the fourth best year since 1985.
What is the import quota in France?
France installed an import quota of 1:7, meaning for every seven foreign films imported to France, one French film was to be produced and shown in French cinemas. During the period between World War I and World War II, Jacques Feyder and Jean Vigo became two of the founders of poetic realism in French cinema.
How many people watched Intouchables in 2011?
In 2011, the film Intouchables became the most watched film in France (including the foreign films). After ten weeks nearly 17.5 million people had seen the film in France, Intouchables was the second most-seen French movie of all-time in France, and the third including foreign movies.
What is French cinema?
French cinema comprises the art of film and creative movies made within the nation of France or by French filmmakers abroad. Several important cinematic movements, including the Nouvelle Vague, began in the country. It is noted for having a particularly strong film industry, due in part to protections afforded by the French government.
How much did the movie Titanic cost in France?
Its $193 million gross in France puts it just behind Titanic as the most successful film of all time in French theaters. In the 2000s, several French directors made international productions, often in the action genre.
What is the goal of American films?
Their goal is to make you think . Generally speaking, American films rely on the foundation of a strong story and the ongoing plot development. American viewers expect fluid dialogue from characters with whom they can identify and adherence to genre standards.
What is the opposite of European filmmaking?
use artifice through techniques of continuity and invisible storytelling, which is the opposite of European filmmaking. Award-winning European films, such as The Artist, Amour, and Ida, would never have been made in the U.S., let alone distributed. Getting them distributed in the U.S. was an exceptional feat for the filmmakers.
What is the difference between American and European movies?
A serious distinction that affects the types of movies made is the fact that American films are usually producer/studio controlled, while European films are director controlled. In the majority of the European films, the directors try to create something new and more artistic, and they take risks and expose themselves.
Why do Americans go to movies?
European films, however, require constant attention and a good memory. Their goal is to make you think.
Is silence a virtue?
Silence is seen as a virtue. American films, on the other hand, talk and keep talking. Characters are more prone to explain their feelings through the dialogue. In the 2001 French film Intimacy, a man and woman meet once a week for anonymous sex. No names, no small talk.
Do European movies end up in theaters?
Most European films usually end up at the “art theaters” in the U.S. This means very few American filmgoers ever see them. That is a sad situation because some of the great “art of filmmaking” can be found in that genre.
Who is the lead character in the movie Ida?
It’s the language of their bodies, and it’s beautiful to watch.”. In the Polish film Ida (2014), the lead character, Anna (Ida), never says what she is thinking. Her face, eyes, and body tell it all, and, again, it is accomplished beautifully.
