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what was the goal of de stijl

by Cornell Legros Published 2 years ago Updated 2 years ago
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At its core, De Stijl was designed to encompass a variety of artistic influences and media, its goal being the development of a new aesthetic that would be practiced not only in the fine and applied arts, but would also reverberate in a host of other art forms as well, among them architecture, urban planning, ...

What is De Stijl?

To this end, De Stijl artists turned their attention not only to fine art media such as painting and sculpture, but virtually all other art forms as well, including industrial design, typography, even literature and music.

How much did Jan De Stijl get paid for her work?

She would live to 100, receiving nearly $23,000 in benefits. As a movement, De Stijl influenced painting, decorative arts (including furniture design), typography, and architecture, but it was principally architecture that realized both De Stijl’s stylistic aims and its goal of close collaboration among the arts.

What influenced De Stijl’s art?

The Neo-Platonic ideas from Schoenmaekers influenced De Stijl artists, especially Piet Mondrian, who established his art theory and visual style called Neo-Plasticism, meaning “New Plastic.”

What happened to the De Stijl movement after 1931?

Many, though not all, artists did stay true to the movement's basic ideas, even after 1931. Rietveld, for instance, continued designing furniture according to De Stijl principles, while Mondrian continued working in the style he had initiated around 1920.

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What Influenced the De Stijl Movement?

The De Stijl movement developed as a response to the existential and societal heaviness that came from World War I. It was a desire for a Utopian w...

What Was the De Stijl Movement?

The Dutch architect, designer, and painter, Theo van Doesburg, started an art journal called De Stijl. The journal set the theoretical foundations...

What Are the Main Characteristics of De Stijl Art?

The main characteristics of the De Stijl movement can be viewed as three “fundamental” principles. These are geometric forms, in other words, verti...

What Does De Stijl Mean?

The term De Stijl is a Dutch word that translates to The Style in English. It was the name given to the Dutch art journal, which was started in the...

What did De Stijl do for architecture?

As a movement, De Stijl influenced painting, decorative arts (including furniture design), typography, and architecture, but it was principally architecture that realized both De Stijl’s stylistic aims and its goal of close collaboration among the arts. The Worker’s Housing Estate in Hoek van Holland(1924–27), designed by Oud, expresses the same clarity, austerity, and order found in a Mondrian painting. Gerrit Rietveld, another architect associated with De Stijl, also applied its stylistic principles in his work; the Schröder Housein Utrecht (1924), for example, resembles a Mondrian painting in the severe purity of its facade and in its interior plan. Beyond the Netherlands, the De Stijl aestheticfound expression at the Bauhaus in Germany during the 1920s and in the International Style.

What did De Stijl influence?

As a movement, De Stijl influenced painting, decorative arts (including furniture design), typography, and architecture, but it was principally architecture that realized both De Stijl’s stylistic aims and its goal of close collaboration among the arts.

What colors did Mondrian use in his paintings?

In his search for an art of clarity and order that would also express his religious and philosophical beliefs, Mondrian eliminated all representational components, reducing painting to its elements: straight lines, plane surfaces, rectangles, and the primary colours (red, yellow, and blue) combined with neutrals (black, gray, and white). ...

Who were the members of the De Stijl group?

De Stijl, (Dutch: “The Style”) group of Dutch artists in Amsterdamin 1917, including the paintersPiet Mondrian, Theo van Doesburg, and Vilmos Huszár, the architect Jacobus Johannes Pieter Oud, and the poet A. Kok; other early associates of De Stijl were Bart van der Leck, Georges Vantongerloo, Jan Wils, and Robert van’t Hoff. Its members, working in an abstract style, were seeking laws of equilibriumand harmony applicable both to art and to life.

What is an encyclopedia editor?

Encyclopaedia Britannica's editors oversee subject areas in which they have extensive knowledge, whether from years of experience gained by working on that content or via study for an advanced degree. ...

When did the de Stijl movement start?

In 1917 the de Stijl movement formed in the Netherlands around him, with lasting consequences for the architecture, design, and typography of the century.…

Where did the De Stijl aesthetic come from?

Beyond the Netherlands, the De Stijl aesthetic found expression at the Bauhaus in Germany during the 1920s and in the International Style. This article was most recently revised and updated by Laura Etheredge, Associate Editor.

What is the De Stijl movement?

According to Theo van Doesburg in the introduction of the magazine De Stijl 1917 no.1, the "De Stijl"-movement was a reaction to the "Modern Baroque" of the Amsterdam School movement ( Dutch expressionist architecture) with the magazine Wendingen (1918–1931).

How did the journal begin?

He first met Piet Mondrian at an exhibition in Stedelijk Museum Amsterdam. Mondrian, who had moved to Paris in 1912 (and there, changed his name from "Mondriaan"), had been visiting the Netherlands when war broke out. He could not return to Paris, and was staying in the artists' community of Laren, where he met Bart van der Leck and regularly saw M. H. J. Schoenmaekers. In 1915, Schoenmaekers published Het nieuwe wereldbeeld ("The New Image of the World"), followed in 1916 by Beginselen der beeldende wiskunde ("Principles of Plastic Mathematics"). These two publications would greatly influence Mondrian and other members of De Stijl.

What is the purpose of the De Stijl journal?

The journal set the theoretical foundations for the abstracted visual expressions while also giving De Stijl artists a platform to explore and express their theories so that others could be involved and build upon them.

What was the Dutch De Stijl movement?

T he Dutch De Stijl movement developed as a response to the existential heaviness and stress caused by World War I. De Stijl artists pioneered an abstract form of art that was all about geometric designs and solid colors for the sake of finding a deeper and simpler spiritual and “universal” meaning in art and life. These artists expressed themselves through painting, sculpture, architecture, design, and many other modalities. Below, we take a closer look at this avant-garde art (and cultural) movement.

What are the shapes of De Stijl's paintings?

Shapes include horizontal and vertical lines, or straight lines and rectangles. The surface of the composition, or the canvas, also needed to be a rectangular shape. Sometimes Mondrian tilted the canvas at an angle (45 degrees), and these De Stijl paintings are known as his Lozenge series.

When did the De Stijl movement end?

The De Stijl movement came to an end around the time when van Doesburg died in the early 1930s. Although this may have put a stop to the movement, it was kept alive by what van Doesburg contributed and started within the movement, along with many of the other artists, who all developed in their own way artistically. The De Stijl movement influenced Modern Art, the International Style in architecture, the Bauhaus movement, and many other modern artists like Mark Rothko, Frank Stella, Dan Flavin, and Donald Judd.

What color is the house in De Stijl?

The house appears as a three-dimensional version of a De Stijl painting; we notice the primary colors yellow, blue, and red in the beams near the windows and the larger areas of white, gray, and black that make up the outer walls of the house .

What is the style of Mondrian?

We start seeing the characteristic De Stijl style in Mondrian’s oils, Composition with Color Planes (1917) and Composition with large red plane, bluish gray, yellow, black, and blue (1922). In both paintings, the artist depicts square planes of color in seeming balance and harmonious structure on the canvas.

What are the three essential colors of the Sun?

Schoenmaekers’ quote is often used to describe the influence he had on De Stijl artists ideas of form, where he said: “The two fundamental and absolute extremes that shape our planet are: on the one hand the line of the horizontal force, namely the trajectory of the Earth around the Sun, and on the other vertical and essentially spatial movement of the rays that issue from the center of the Sun…the three essential colors are yellow, blue, and red ”.

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Overview

De Stijl , Dutch for "The Style", also known as Neoplasticism, was a Dutch art movement founded in 1917 in Leiden. De Stijl consisted of artists and architects. In a more narrow sense, the term De Stijl is used to refer to a body of work from 1917 to 1931 founded in the Netherlands. Proponents of De Stijl advocated pure abstraction and universality by a reduction to the essentials of form and colour; …

Principles and influences

Mondrian sets forth the delimitations of Neoplasticism in his essay "Neo-Plasticism in Pictorial Art". He writes, "this new plastic idea will ignore the particulars of appearance, that is to say, natural form and colour. On the contrary, it should find its expression in the abstraction of form and colour, that is to say, in the straight line and the clearly defined primary colour". With these …

History

From the flurry of new art movements that followed the Impressionist revolutionary new perception of painting, Cubism arose in the early 20th century as an important and influential new direction. In the Netherlands, too, there was interest in this "new art".
However, because the Netherlands remained neutral in World War I, Dutch artis…

See also

• Art Concret
• Abstraction-Création
• Concrete art
• Form follows function
• Fourth dimension in art

References and sources

References
Sources
• "De Stijl Architecture". Design Arts. Art and Culture. Archived from the original on 27 March 2006. Retrieved 31 July 2006.
• van Doesburg, Theo (1924). "Towards a plastic architecture". Translation of original published in De Stijl, XII, 6/7. Architecture & CAAD. Archived from the original on 28 N…

References
Sources
• "De Stijl Architecture". Design Arts. Art and Culture. Archived from the original on 27 March 2006. Retrieved 31 July 2006.
• van Doesburg, Theo (1924). "Towards a plastic architecture". Translation of original published in De Stijl, XII, 6/7. Architecture & CAAD. Archived from the original on 28 No…

Further reading

• Blotkamp, Carel, ed. (1982). De beginjaren van De Stijl 1917–1922. Utrecht: Reflex.
• Blotkamp, Carel, ed. (1996). De vervolgjaren van De Stijl 1922–1932. Amsterdam: Veen.
• Jaffé, H. L. C. (1956). De Stijl, 1917–1931, The Dutch Contribution to Modern Art (1st ed.). Amsterdam: J.M. Meulenhoff.

External links

• Many sourced quotes and facts of De Stijl artists in: De Stijl 1917–1931 – The Dutch Contribution to Modern Art, by H.L.C. Jaffé; J.M. Meulenhoff, Amsterdam 1956
• De Stijl, The International Dada Archive, University of Iowa Libraries
• Jakob van Domselaer's Proeven van Stijlkunst, rare recording.

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