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When was Ray Harryhausen born?
June 29, 1920Ray Harryhausen / Date of birthRay Harryhausen, in full Raymond Frederick Harryhausen, (born June 29, 1920, Los Angeles, California, U.S.—died May 7, 2013, London, England), American filmmaker best known for his pioneering use of stop-motion animation effects.
Who was Ray Harryhausen inspired by?
In this respect he was indebted to a pair of nineteenth-century British painters: John Martin (1789–1854) and Joseph Gandy (1771–1843). Harryhausen's films are always spectacular, but with his two Greek myth films, Jason and the Argonauts (1963) and Clash of the Titans (1981), the spectacle became epic.
Did Harryhausen work on King Kong?
King Kong was a huge influence, as he would be in all the other creatures I would be father to. It was on this rampaging creature feature – the first of the 1950s cycle – that Harryhausen first created the process that would later come to be known as Dynamation.
How did Ray Harryhausen make his models?
Harryhausen brought these wonders to life using stop-motion animation techniques learned from his mentor Willis O'Brien, creator of King Kong. Harryhausen built rubber models on flexible metal frames that he could move bit by bit, shot by shot, to create a sense of the marvellous.
Is Ray Harryhausen still alive?
May 7, 2013Ray Harryhausen / Date of death
Did Ray Harryhausen win any Oscars?
ADG's Outstanding Contributio...Gordon E. Sawyer AwardBAFTA Special Award (Film)Ray Harryhausen/Awards
Who wiped out Kong's?
Skullcrawlers - Giant carnivorous reptiles with two large forelimbs and a superficially skull-like face. Possessing voracious appetites fueled by a never-ending hunger, the Skullcrawlers drove the Kong species into extinction. In Godzilla vs.
What is King Kong's axe called?
The battle axeThe battle axe (戦斧 Senpu, lit. Battle axe) is a Titan-sized weapon that appears in the 2021 Legendary Pictures film Godzilla vs. Kong. It is one of many such weapons created by Kong's ancestors and rediscovered by Kong inside a huge temple in the Hollow Earth.
Who is King Kong's mate?
First appearance. Lady Kong is a female giant ape Kaiju and the mate of King Kong in the 1986 film, King Kong Lives.
What technique did Ray Harryhausen use?
DynamationA massively influential artist and filmmaker who inspired some of the greatest talents in the field, Ray Harryhausen was born 100 years ago today. He's perhaps best known for his innovative work in stop-motion animation, particularly his own technique, dubbed Dynamation.
Who is the master of stop-motion?
Ray Harryhausen, Master Of Stop-Motion Animation, Dies : The Two-Way His sword-fighting skeletons in Jason and the Argonauts and models he animated in other movies made him a Hollywood legend.
What is the restaurant in Monsters Inc?
Harryhausen'sHarryhausen's is the Japanese restaurant that Mike Wazowski takes his girlfriend Celia Mae to for her birthday dinner in Monsters, Inc.. The greeting when visitors arrive is: "Irasshaimase!" Which is Japanese for "Welcome" or "Welcome to the store".
What inspired Satyajit Ray?
Ray had long been an avid filmgoer, and his deepening interest in the medium inspired his first attempts to write screenplays and his cofounding (1947) of the Calcutta Film Society. In 1949 Ray was encouraged in his cinematic ambitions by the French director Jean Renoir, who was then in Bengal to shoot The River.
Who is the movie Ray based on?
The film is based on a real-life group of friends from Spokane, Washington, known for playing a month-long game of tag every February over a 28-year period, governed by a contract written by Patrick J. Schultheis.
What is Harryhausen's based on?
One of the more obvious in-jokes in 'Monsters, Inc. ' is the name of the restaurant where Mike takes his girlfriend Celia. Harryhausen's is named after Ray Harryhausen, the legendary special effects artist known for creating monsters for films like 'Clash of the Titans' and 'Jason and the Argonauts.
Who was David Fincher inspired by?
In his early professional career, Fincher's most visible influence is the work of brothers Ridley and Tony Scott, two feature directors who were quite en vogue at the time due to blockbuster, high-fashion work like BLADE RUNNER (1982) and THE HUNGER (1983).
Who is Ray Harryhausen?
Ray Harryhausen, in full Raymond Frederick Harryhausen, (born June 29, 1920, Los Angeles, California, U.S.—died May 7, 2013, London, England), American filmmaker best known for his pioneering use of stop-motion animation effects. Harryhausen grew up in Los Angeles, acquiring a love of dinosaurs and fantasy at a young age.
What movies did Harryhausen make special effects for?
(1966). He was well known for the Sinbad films: The 7th Voyage of Sinbad (1958), his first colour feature; The Golden Voyage of Sinbad (1973); and Sinbad and the Eye of the Tiger (1977). He also created the special effects for the star-studded Clash of the Titans (1981), which was remade with animatronic and computer effects in 2010. Though he effectively retired from animation in the mid-1980s, Harryhausen continued to work on small projects into the 21st century. In 1992 he received the Gordon E. Sawyer Award for technical contributions from the Academy of Motion Picture Arts and Sciences. His published works included Film Fantasy Scrapbook (1972) and the autobiography An Animated Life: Adventures in Fantasy (2003; cowritten with Tony Dalton).
What was the movie that Harryhausen did for King Kong?
He was soon contacted by O’Brien to help on Mighty Joe Young (1949), an adventure drama featuring an enormous ape, in the style of King Kong. The film, for which Harryhausen did much of the animation, received an Academy Award for special effects.
What was Harryhausen's first job?
In 1940 Harryhausen landed his first animating job, working for producer George Pal on a number of “ Puppetoons ”—short films that animated puppets by using a type of stop-motion. He subsequently served in the U.S. Army, where he worked with director Frank Capra on propaganda films for the war effort. After being discharged in 1946, Harryhausen created a series of short nursery-rhyme-based films that he distributed to schools. He was soon contacted by O’Brien to help on Mighty Joe Young (1949), an adventure drama featuring an enormous ape, in the style of King Kong. The film, for which Harryhausen did much of the animation, received an Academy Award for special effects. Harryhausen’s work on The Beast from 20,000 Fathoms (1953), which was based on a story by his friend Ray Bradbury, caught the attention of producer Charles Schneer, with whom he would work on the majority of his films.
What award did Jason and the Argonauts get?
In 1992 he received the Gordon E. Sawyer Award for technical contributions from the Academy of Motion Picture Arts and Sciences. His published works included Film Fantasy Scrapbook (1972) and the autobiography An Animated Life: Adventures in Fantasy (2003; cowritten with Tony Dalton). Jason and the Argonauts.
When did Harryhausen retire?
Though he effectively retired from animation in the mid-1980s, Harryhausen continued to work on small projects into the 21st century.
What county is Los Angeles in?
Los Angeles , city, seat of Los Angeles county, southern California, U.S. It is the second most populous city and metropolitan area (after New York City) in the United States. The city sprawls across a broad coastal plain situated between mountains and the Pacific Ocean; the much larger Los Angeles….
What did O'Brien suggest Harryhausen did?
After looking at the suitcase full of dinosaur models that Harryhausen had brought with him, O’Brien suggested that he study anatomy. O’Brien later provided further constructive criticism and encouragement after viewing footage of Harryhausen’s stop-motion experiments.
Who wrote the Harryhausen Chronicles?
“I had seen some other fantasy films before, but none of them had the sort of awe that the Ray Harryhausen movies had,” Lucas said in “The Harryhausen Chronicles,” a 1998 documentary written and directed by film critic and historian Richard Schickel.
What was the name of the movie that Harryhausen made that destroyed the Golden Gate Bridge?
In the film a giant octopus rises from the sea to destroy the San Francisco Golden Gate bridge, though because of the expense Harryhausen reduced the number of the octopus's tentacles to six. Permission to photograph the bridge was refused in case it undermined public confidence in the structure, so stock footage was used.
Why was Harryhausen refused permission to photograph the bridge?
Permission to photograph the bridge was refused in case it undermined public confidence in the structure, so stock footage was used. On The Animal World (1956), Harryhausen worked for the last time with O'Brien before returning to work with Schneer on Earth Vs the Flying Saucers (1956).
What was Harryhausen's first foray into colour?
The Seventh Voyage of Sinbad was Harryhausen's first foray into colour. It involved front and rear projection, and Sinbad's swordfight with a skeleton was considered too frightening for children by the British censor.
What was Harryhausen's dream project?
Harryhausen made room to begin his dream project: Evolution of the World, a history of the planet. Surviving footage and sketches show a debt to Gustave Doré and to King Kong, but the time it would take to complete, combined with the release of Fantasia (1940) – in which the Rite of Spring sequence covered much of the same ground – stopped the project. In 1942 Harryhausen enlisted in the army, was assigned to the Signal Corps and got himself drafted into Frank Capra's unit to work on propaganda films. He also contributed to the Army-Navy Screen Magazine as an assistant photographer.
What was Harryhausen's favorite creature?
Once, when asked if he had a favourite among his creatures, Harryhausen replied: "It would be Medusa. But don't tell the others."
What stock did the animators use for Mother Goose?
Unemployed after demobilisation in 1946, he began a series of animated two-minute fairy tales using out of date 16mm Kodak stock that he had found. Tied together with a Mother Goose prologue and epilogue, the resulting short film was successfully sold to schools and libraries.
Did Harryhausen work with O'Brien?
On The Animal World (1956), Harryhausen worked for the last time with O'Brien before returning to work with Schneer on Earth Vs the Flying Saucers (1956). There later followed further forays into space – First Men in the Moon (1964), from the novel by HG Wells, was the only time in which Harryhausen worked in wide screen and used humans wearing suits (children in insect outfits) to avoid the endless animation.
What did Warner Brothers say to Christopher Bahn?
He upgraded his techniques and ambitions (though not always his budgets) with three more black-and-white science fiction pictures, but, he told the interviewer Christopher Bahn, in 2006, “I got tired of destroying cities.”.
What did Harryhausen learn from his parents?
Harryhausen was soon teaching himself the basics of stop-motion animation and producing short films of dinosaurs and apes in the family garage.
What was Harryhausen's technique?
Credit... The heart of his technique was a process he developed called Dynamation.
What did Harryhausen do in stop motion?
Harryhausen strove for realism. He constantly sought ways for his creations to share the screen and interact with live actors and settings as seamlessly and believably as possible. Image.
When was the 'Walking Behind a Live Tree' award given?
His innovations were honored in 1992 with a career Academy Award for technical achievement.
Where did Harryhausen live in The Three Worlds of Gulliver?
To make “The Three Worlds of Gulliver” (1959), which required combining footage of giant and tiny live actors in the same shot, Mr. Harryhausen went to Britain to take advantage of the “traveling matte” system developed by the Rank Organization, and he then decided to live and work there permanently.
When was the movie The Valley of Gwangi made?
The film was a sleeper hit in 1952, establishing Mr. Harryhausen as someone who could deliver astonishing footage on a tight budget and draw big audiences. Image. “The Valley of Gwangi” (1969). Credit... Warner Brothers, via Photofest.
